“Motherhood has a branding problem,” writes Katrina Onstad, a podcast producer and novelist. In her essay about “Nightbitch,” a dark comedy out just last week, Onstad says that the film could have offered “a primal scream for this moment of maternal ambivalence, a stark confessional delivered with a healthy dash of ‘The Substance’ shock value.” Instead, “Nightbitch” does “something more surprising, more difficult and certainly rarer than laying bare the horrors of motherhood: It beautifully depicts the joy of parenting a young child.” Have you seen “Nightbitch”? Click the link in our bio to read more, and then let us know what you thought about the essay and the film in the comments below. | 🎨 by Sam Whitney #nytopinion
“Motherhood has a branding problem,” writes Katrina Onstad, a podcast producer and novelist. In her essay about “Nightbitch,” a dark comedy out just last week, Onstad says that the film could have offered “a primal scream for this moment of maternal ambivalence, a stark confessional delivered with a healthy dash of ‘The Substance’ shock value.” Instead, “Nightbitch” does “something more surprising, more difficult and certainly rarer than laying bare the horrors of motherhood: It beautifully depicts the joy of parenting a young child.” Have you seen “Nightbitch”? Click the link in our bio to read more, and then let us know what you thought about the essay and the film in the comments below. | 🎨 by Sam Whitney #nytopinion
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