____dunes__

SUGAR RUSH / PERFORMANCE for @p0rtal.001 . 23 minutes of total performative improvisation . this performance as it was announced is a place of healing, a path to overcome a travma. it is about my own story . thanks to @nymph.mp3__________ for giving me the opportunity and trust to realise this performance thanks to @milkymothteeth for making it possible thanks to @lydiaintheskywithdiamods and to @_no.do_ for the amazing cage skirt. shot and filmed by @_hyphaen_ @jess_wilcock @fake_trailers @fatosholgacher @lanhavm @charliejjimenez tanks to the audience, focused from the start to the end, and for being so supportive. . Soundtrack by Cliff Martinez, @oneohtrixpointever, @imonstermusic, Gladio and @dannyelfman (thanks to @skylfr for the music recommendations) Concept inspired by the movie Wreck it Ralph, just kidding, but i didnt get inspired by anyone but myself for this performance, i welcome you to respect the integrity of the artists actually.

DYSPH0RIA / PERFORMANCE For @forensicsparis At @cavessaintsabin . Trapped in a cage my wings against the bars beating like a dove. Bile comes from my mouth Dancing around the body divine Yet in its embrace, I cannot align Removing my wings, facing the light Iron dances on skin, moon in the night. Wrapped in bandages, trying, healing what’s burned. My bl00d is as blue as my tears And my pills set me free. . This performance talks about my experience with self hate, as a trans woman, and how I used to struggle with my body for years. It was a real challenge for me because I burned my skin with an iron for 3 minutes, and because the stage was not stable at all. . Thanks to @lennycartwright for giving me the opportunity of realising this performance Thanks to @o.x.b.l.o.o.d and @24sexb for the support . Inspired by @digital.cyborg art and by @salvia001011 as I am always

ROTTEN BALLERINA FIG / PERFORMANCE At @lamachineparis For @forensicsparis x @prncptl . As a dream girl, I always craved for femininity in all forms and dancing always has been a way for me to explore womanhood. Because of mostly myself, covid and my drvg habit I kinda stopped dancing for a while and lost the technique I used to have younger, but I never lost my sense of expression. This performance is about the hopeless wish to be a ballerina, it is about a rotting Sylvia Plath’s fig, because it is too late for me to be a professional ballet dancer, but it doesn’t mean I can no longer dance or explore my dreams. . This performance was a real challenge for me because I couldn’t play my soundtrack, and it was the first time for me performing during a house dj set. I took the opportunity to demonstrate a very intimate improvised gesture about hope, with headphones, as if I was in my own world, apart from the audience, as if I was in my mind, making the performance for myself. I wanted the audience to feel super far from me as an artist, I wanted them not to even understand it, but to watch it as outsiders. I am not a drag queen and I don’t make shows. My art is performative and it’s about taking the risk of failure as a friend, to experiment my own self and my self can’t be estimated or compromised. It’s about how I feel the moment and how I explore it, I haven’t rehearsed, I haven’t fully planned what I was gonna do. I wanted to trust myself to make a m0rtal performance, something that takes place in time, and has en end, and it is very important for me not to make the same performances multiple times, I believe in uniqueness as a sign of authenticity. I don’t want to be perfect, I want to be alive. . Thanks to @ghostelektra / @lennycartwright for giving me the opportunity to perform for @replicantevents Special thanks to @leomonira & @techno_blondy for the amazing support and love they gave me Thanks to @vince_diesel__ for the assistance Thanks to @lyou.bou for the headphones . Photographed by @angegabriellll . Make up inspired by @jacemay_ Concept inspired by @regina_demina Nausicaa x Black swan

"coating" / PERFORMANCE for @legenerateur . Winter st@rves me off from self care routines I'm so cold i cant go turn on my radiator I'm too cold to move from my floor I'm too cold to move a single finger cause you turned them all blue. . seven minutes improvisation around a radiator i found in the street, as i enjoyed the idea it had warmed lots of people during the time it was at somebody's place. i enjoy reappropriating lost property, as a way to give the object a second life, or a tribute to the past. as a vessel, a time machine. turning on a radiator always have been very poetic to me. but i cant really explain why. btw the milk and the chains dont have any meaning it was just for the vibe lol . thanks to vincent vey for giving me the opportunity to realise this performance thanks to alexandre lachiheb for the lights and sound filmed by @chuckersatz photographed by @kakoutyy soundtrack by Vangelis thanks to @haromavi for the support . inspired by the movie Anna - 1967

rain

in collaboration with @marispetroswan edit by @man2os . totally improvised performance with an amazing artist based in athens, don't have much to say about this one so ig its up to u to interpret it the way u may, we got k!cked out from the subway station lol btw ! idk why like im literally just dancing ? but anyways not so different from paris tbh transc€ns0rship is crazy everywhere

ballerina got hitten by a car

έχω δει ένα θαύμα collaboration with @marispetroswan make up inspired by @kittysophie.art

so dunes coded

PRECIOUS / PERFORMANCE at @boursedecommerce . I think we call what is precious a thing that is fragile, and the only fact of being fragile makes it precious, whereas it doesn’t work the same with fragile rubbish. And it goes the same with me . They kicked me out from Bourse de Commerce because “a museum is not a place for performances”, so I finished it and destroyed my chandelier and my wings outside of the museum. . Yes, the soundtrack is from “les maîtres du temps” u guys are cultured I’m amazed I thought I was niche . Assisted and shot by bestie @plastik.littlest Wings made by me Published in @le_studio_boost

CHRONOS MUSES / PERFORMANCE In collaboration with @ruby.red.sand At @centrepompidou . This minimalist performative improvisation is a tribute to fatal femininity, trashy muses having healthy fun and fruit play. A piece about the passage of time, wherein we fenced ourselves into a circle, an ode to the hour on a clock. By playing with the forks, it was as we were playing with the needles of time, attempting to distort its passing. The performance’s end however demonstrated its unstoppable marching. It’s about the golden time of womanhood. . They tried to kick us out because “we can’t go around the museum dressed like that” and also because “performance isn’t art” from what the security girl told us . Shot by @j.esme Soundtrack by paul motian trio . Concept inspired of the movie Daisies from 1967, directed by Vera chytilova And by @naivesupreme