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CPG

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🔥LAST DAY🔥

Jacob Fenton
Usufruct (Field 1), 2024
Oil on canvas
60 x 84 inches
152.4 x 213.4 cm
🔥LAST DAY🔥 Jacob Fenton Usufruct (Field 1), 2024 Oil on canvas 60 x 84 inches 152.4 x 213.4 cm
128 5 2 months ago
LAST 2 DAYS TO VIEW
JACOB FENTON
USUFRUCT

Pictured above
Jacob Fenton
Transparent Woman (Juno), 2024
Oil on canvas
61 1/2 x 48 inches
156.2 x 121.9 cm
LAST 2 DAYS TO VIEW JACOB FENTON USUFRUCT Pictured above Jacob Fenton Transparent Woman (Juno), 2024 Oil on canvas 61 1/2 x 48 inches 156.2 x 121.9 cm
235 7 2 months ago
LAST WEEK TO VIEW
WED - SAT // 11 - 5
JACOB FENTON
USUFRUCT

Pictured above:
Jacob Fenton 
re-dolor, 2024
Oil on linen
36 x 42 inches
91.4 x 106.7 cm
LAST WEEK TO VIEW WED - SAT // 11 - 5 JACOB FENTON USUFRUCT Pictured above: Jacob Fenton 
re-dolor, 2024 Oil on linen 36 x 42 inches 91.4 x 106.7 cm
241 7 2 months ago
🔥OPEN TODAY 11 - 5🔥
JACOB FENTON
USUFRUCT

Pictured above:
Usufruct (Field 2), 2024
Oil on hemp
80 x 96 inches
203.2 x 243.9 cm
🔥OPEN TODAY 11 - 5🔥 JACOB FENTON USUFRUCT Pictured above: Usufruct (Field 2), 2024 Oil on hemp 80 x 96 inches 203.2 x 243.9 cm
283 4 2 months ago
Jacob Fenton

‘Usufruct’

On view through October 26

Carlye Packer
3201 La Cienega Ave
Los Angeles, CA 90034

Open Wednesday-Saturday, 11AM-5PM
Jacob Fenton ‘Usufruct’ On view through October 26 Carlye Packer 3201 La Cienega Ave Los Angeles, CA 90034 Open Wednesday-Saturday, 11AM-5PM
559 10 3 months ago
YALL ITS AVE NOT BLVD CHECK YOUR NAV SYSTEM 💋
YALL ITS AVE NOT BLVD CHECK YOUR NAV SYSTEM 💋
235 7 3 months ago
🔥ALERT THE MEDIA🔥
3201 LA CIENEGA AVE (AVE NOT BLVD)
OPENING THIS SATURDAY 6-9PM 
COME CELEBRATE

Carlye Packer is pleased to present Usufruct, the first major solo exhibition of Los Angeles-based painter Jacob Fenton. The exhibition opens Saturday, September 28th, 6-9PM and will be on view through October 26th, at 3201 La Cienega Ave, Los Angeles, CA 90016.

In Usufruct, Fenton explores memory and the constructed self within the accelerating age of instantaneous media. He intentionally sources images with a deep hold on the Western imagination, detaching them from their original context to critique post-truth reality, fractured identity, and the rise of hyper-individuality—particularly among those raised in the internet age. Through a technique that blurs atmospheric and figural elements nearly beyond recognition, Fenton provides viewers with minimal reference to place, period, or time.
🔥ALERT THE MEDIA🔥 3201 LA CIENEGA AVE (AVE NOT BLVD) OPENING THIS SATURDAY 6-9PM COME CELEBRATE Carlye Packer is pleased to present Usufruct, the first major solo exhibition of Los Angeles-based painter Jacob Fenton. The exhibition opens Saturday, September 28th, 6-9PM and will be on view through October 26th, at 3201 La Cienega Ave, Los Angeles, CA 90016. In Usufruct, Fenton explores memory and the constructed self within the accelerating age of instantaneous media. He intentionally sources images with a deep hold on the Western imagination, detaching them from their original context to critique post-truth reality, fractured identity, and the rise of hyper-individuality—particularly among those raised in the internet age. Through a technique that blurs atmospheric and figural elements nearly beyond recognition, Fenton provides viewers with minimal reference to place, period, or time.
288 15 3 months ago
C’EST MOI
C’EST MOI
364 15 3 months ago
🐩S OF ASPEN💗

by Adam Stamp

In order:

The Pescatarian, 2024
Gouache and acrylic on handmade cotton paper, framed
30 x 16 1/2 inches
76.2 x 41.9 cm

The Play Goer, 2024
Gouache, acrylic and watercolour on paper, framed
21 1/4 x 16 1/2 inches
54 x 41.9 cm

The Good Boy 2024
Goace acrylic and colored pencil on paper, framed
31 x 19 1/4 inches
78.7 x 48.9 cm

The Brat, 2024
Gouache, acrylic and watercolour on paper, framed
26 3/4 x 16 3/4 inches
67.9 x 42.5 cm

The Party Girl, 2024
Gouache and pastel on UK McDonald’s delivery bag, framed
17 2/3 x 13 1/5 inches
42.4 x 31.7 cm

The Acolyte, 2024
Gouache, acrylic and coloured pencil on paper, framed
21 1/4 x 14 1/4inches
54 x 36.2 cm

The Bouncer, 2024
Gouache pastel watercolor and acrylic on paper, framed
29 x 41 inches
73.7 x 104.1 cm
🐩S OF ASPEN💗 by Adam Stamp In order: The Pescatarian, 2024 Gouache and acrylic on handmade cotton paper, framed 30 x 16 1/2 inches 76.2 x 41.9 cm The Play Goer, 2024 Gouache, acrylic and watercolour on paper, framed 21 1/4 x 16 1/2 inches 54 x 41.9 cm The Good Boy 2024 Goace acrylic and colored pencil on paper, framed 31 x 19 1/4 inches 78.7 x 48.9 cm The Brat, 2024 Gouache, acrylic and watercolour on paper, framed 26 3/4 x 16 3/4 inches 67.9 x 42.5 cm The Party Girl, 2024 Gouache and pastel on UK McDonald’s delivery bag, framed 17 2/3 x 13 1/5 inches 42.4 x 31.7 cm The Acolyte, 2024 Gouache, acrylic and coloured pencil on paper, framed 21 1/4 x 14 1/4inches 54 x 36.2 cm The Bouncer, 2024 Gouache pastel watercolor and acrylic on paper, framed
29 x 41 inches 73.7 x 104.1 cm
183 16 4 months ago
ADAM STAMP’S POODLE MANIA FOR @hoteljeromeauberge @aspenartfair_org 

photos @bfa 

🔥🐩🤌💗

___

A few years back, Stamp  started making drawings of poodles. Originally drawn to them conceptually because of their relationship to Faustian stories, where Mephistopheles often appears to Faust either as or with a poodle. Like the seminal queer art collective, General Idea, the poodle for Stamp represents something both cute and subversive. He also sees the fur and form of the poodle as a way to exercise (or exorcise) the abstract impulse, loosely painted forms are defined by doodles. 

After working in this format for a while, the poodle has now become a vehicle for exploring class - each poodle character occupying a point of privilege or aspiration. For this new presentation of poodle works in Aspen, there will be a work in the Aspen Art Museum’s Art Crush auction, along with a hallway display in the new Aspen Art Fair at Hotel Jerome. Because of Stamp’s long and strong relationship with the Aspen Art Museum and the town of Aspen, a number of other venues across town will also host poodle works during the course of art week 2024.
ADAM STAMP’S POODLE MANIA FOR @hoteljeromeauberge @aspenartfair_org photos @bfa 🔥🐩🤌💗 ___ A few years back, Stamp started making drawings of poodles. Originally drawn to them conceptually because of their relationship to Faustian stories, where Mephistopheles often appears to Faust either as or with a poodle. Like the seminal queer art collective, General Idea, the poodle for Stamp represents something both cute and subversive. He also sees the fur and form of the poodle as a way to exercise (or exorcise) the abstract impulse, loosely painted forms are defined by doodles. After working in this format for a while, the poodle has now become a vehicle for exploring class - each poodle character occupying a point of privilege or aspiration. For this new presentation of poodle works in Aspen, there will be a work in the Aspen Art Museum’s Art Crush auction, along with a hallway display in the new Aspen Art Fair at Hotel Jerome. Because of Stamp’s long and strong relationship with the Aspen Art Museum and the town of Aspen, a number of other venues across town will also host poodle works during the course of art week 2024.
421 13 5 months ago
OPENING THIS WEEK IN ASPEN
“BEGGING FOR ATTENTION” 
NEW WORKS BY ADAM STAMP
FAUSTIAN POODLES ACROSS THE CITY OF ASPEN

Pictured:
Adam Stamp
The Collector, 2024
Gouache and acrylic on paper, framed 
27 x 21 1/4 inches
68.6 x 54 cm

Featured in @flauntmagazine coverage of @aspenartfair_org

_____

A few years back, Stamp  started making drawings of poodles. Originally drawn to them conceptually because of their relationship to Faustian stories, where Mephistopheles often appears to Faust either as or with a poodle. Like the seminal queer art collective, General Idea, the poodle for Stamp represents something both cute and subversive. He also sees the fur and form of the poodle as a way to exercise (or exorcise) the abstract impulse, loosely painted forms are defined by doodles. 

After working in this format for a while, the poodle has now become a vehicle for exploring class - each poodle character occupying a point of privilege or aspiration. For this new presentation of poodle works in Aspen, there will be a work in the Aspen Art Museum’s Art Crush auction, along with a hallway display in the new Aspen Art Fair at Hotel Jerome. Because of Stamp’s long and strong relationship with the Aspen Art Museum and the town of Aspen, a number of other venues across town will also host poodle works during the course of art week 2024.
OPENING THIS WEEK IN ASPEN “BEGGING FOR ATTENTION” NEW WORKS BY ADAM STAMP FAUSTIAN POODLES ACROSS THE CITY OF ASPEN Pictured: Adam Stamp The Collector, 2024 Gouache and acrylic on paper, framed 27 x 21 1/4 inches 68.6 x 54 cm Featured in @flauntmagazine coverage of @aspenartfair_org _____ A few years back, Stamp started making drawings of poodles. Originally drawn to them conceptually because of their relationship to Faustian stories, where Mephistopheles often appears to Faust either as or with a poodle. Like the seminal queer art collective, General Idea, the poodle for Stamp represents something both cute and subversive. He also sees the fur and form of the poodle as a way to exercise (or exorcise) the abstract impulse, loosely painted forms are defined by doodles. After working in this format for a while, the poodle has now become a vehicle for exploring class - each poodle character occupying a point of privilege or aspiration. For this new presentation of poodle works in Aspen, there will be a work in the Aspen Art Museum’s Art Crush auction, along with a hallway display in the new Aspen Art Fair at Hotel Jerome. Because of Stamp’s long and strong relationship with the Aspen Art Museum and the town of Aspen, a number of other venues across town will also host poodle works during the course of art week 2024.
182 5 5 months ago
Review of the recent Claire Chambless exhibition “Role Play” by the brilliant Ezrah Jean Black in the July/August print issue of @artillery_mag 

“Transformation in its most expansive and contradictory sense was at work throughout Claire Chambless’ exhibition, “Role Play.” Both individually and taken as a choreographed ensemble, the work—while clearly influenced by such abstract surrealists as Miró and Tanguy—probed a full spectrum of contentious forces.“
Review of the recent Claire Chambless exhibition “Role Play” by the brilliant Ezrah Jean Black in the July/August print issue of @artillery_mag “Transformation in its most expansive and contradictory sense was at work throughout Claire Chambless’ exhibition, “Role Play.” Both individually and taken as a choreographed ensemble, the work—while clearly influenced by such abstract surrealists as Miró and Tanguy—probed a full spectrum of contentious forces.“
188 2 5 months ago