documoda

Alexander McQueen’s final haute couture collection for Givenchy was cancelled after Bernard Arnault discovered that McQueen had sold his shares to the Gucci Group. While an official spokesperson for the house cited “production problems” as the reason, the true cause lay elsewhere. Instead of the planned runway show, the house opted for two intimate presentations. Images via mcqueen_vault

Claude Montana Autumn/Winter 1997 🧊🧊🧊 📸 by Niall McInerney

@elsaperetti.official jewelry for Tiffany & Co. has always been the perfect runway accessory. First with Halston in the 70s, and later with Helmut Lang in the 90s, her designs seamlessly blend elegance with modernity. Runway photos by Niall McInerney

The final section of the exhibition “Salvatore Ferragamos 1898-1960” @ferragamo_museo highlights the relationship between Salvatore Ferragamo’s shoe designs and the notable figures who wore them, including movie stars, aristocrats, and the international jet set. Their photos are paired with the custom shoes Ferragamo created for them, based on meticulous measurements and detailed wooden lasts, which preserved every nuance of their feet. Some of these lasts, preserved in the Ferragamo Archive, are displayed in the exhibition alongside notes on his clients’ tastes, as revealed in his autobiography. 📸 courtesy of @ferragamo Slide 1. Salvatore Ferragamo with actress Paulette Goddard at Palazzo Spini Feroni, 1959 Slide 2. Wooden lasts of the feet of some famous Salvatore Ferragamo clients, 1950s Slide 3. Rainbow, kidskin and suede with layered heel and platform in covered cork, 1938. Model created for actress Judy Garland Slide 4. Loretta Young wearing Ferragamo sandals, late 1930s Slide 5. Raffia sandal with shaped cork heel, created for Loretta Young, 1938 Slide 6. Salvatore Ferragamo with Audrey Hepburn at Palazzo Spini Feroni, 1954 Slide 7 & 8. Suede and kidskin ballerina shoe with opanke sole, 1954; Artia, suede, 1952. Both models were designed for Audrey Hepburn Slide 9. Marilyn Monroe wearing the famous Ferragamo pumps, 1962. Slide 10 & 11. Pump models designed by Ferragamo, part of Marilyn Monroe’s personal wardrobe, 1956–60 Slide 12 & 13. Sophia Loren and Salvatore Ferragamo at the Open Gate Club in Roma, February 28, 1955 Slide 14. Damigella, stretch brocade fabric, 1957. Model designed for Sophia Loren Slide 15. Madonna, Tavarnelle lace and kidskin with beaded appliqué, 1955. Model designed for Sophia Loren Slide 16. Anna Magnani and Salvatore Ferragamo at Palazzo Spini Feroni, 1955 Slide 17. Ranina, Tavarnelle lace and satin with sequins, vinylite lining, 1955. Model designed for Anna Magnani Slide 18. Indian princess Indira Devi, maharani di Cooch Behar, 1934 Slide 19. Silk satin and kidskin sandal with cork platform covered in velvet and brass framework studded with stones, 1938. Model designed for Indira Devi

Belle de Jour (1967), directed by Luis Buñuel and starring Catherine Deneuve, explores the double life of Séverine Serizy, a young bourgeois woman navigating a repressed marriage and her secret afternoons as a brothel worker under the alias Belle de Jour. Yves Saint Laurent’s costume designs play a central role in depicting Séverine’s transformation, from her structured military-inspired look to the iconic black vinyl trench coat symbolizing her evolving comfort with her desires. Though the women at the brothel know nothing about her personal life, her elevated social status is immediately apparent through her clothing—something they constantly admire. This subtle detail highlights that Séverine’s presence is not motivated by financial need, unlike the other women. In the film’s final scene, her austere black dress reflects her attempt to reconcile her inner conflict. Saint Laurent’s wardrobe not only enhances the narrative but also cemented his designs as timeless icons in fashion history. The Roger Vivier shoes, which Saint Laurent designed for his Spring-Summer 1965 collection, gained cult status and were eventually named after the film.

I came across this Versace editorial-style advertisement in the pages of Vogue Italia from 1986. Photographed by Richard Avedon, one of Gianni Versace’s long-time collaborators. These images lowkey remind me of V magazine covers.

Gianni Versace chose his Milan atelier, located at Via Spiga and Via S. Spirito, for its Neoclassical elegance, which resonated with his lifelong love for classical forms. Influenced by his childhood in Calabria, where he admired the beauty and harmony of ancient Greek architecture, Versace saw this space as a reflection of his creative ethos. Architect Gianfranco Cavaglià transformed the building’s original apartments into a seamless, open-plan workspace that preserved its historical character while embracing modern functionality. The atelier spans three levels, with the top floor housing interconnected spaces for dining, design, and creative work. It combines glass, steel, and natural wood to create a refined yet practical environment, with large windows and a surrounding cornice emphasizing light and transparency. Decorated with Antonio Trotta’s sculptures, Roman statues, and Carlo Scarpa’s furniture, the atelier blends classical artistry with contemporary design, embodying Versace’s signature fusion of timeless elegance and bold innovation. 📸 by Aldo Ballo for Vogue Italia, April 1981

From breathtaking designs to his signature dramatic flair, John Galliano is a true icon in the fashion world. In honor of his birthday, we’re taking a journey through some of Galliano’s most unforgettable theatrical finales: 1. Dior Haute Couture Spring Summer 2007 2. John Galliano Spring Summer 2007 3. Dior Haute Couture Autumn Winter 2008
 4. Dior Haute Couture Spring Summer 2006
 5. Dior Spring Summer 2005

Yesterday, @katemossagency shared a behind-the-scenes video from a photoshoot featuring Kate Moss, captured by @nick_knight for British Vogue. While I haven’t seen the outtakes in British Vogue, I do recognize that some of the images were published in Vogue US. It’s fascinating to compare the behind-the-scenes moments with the final results—it offers a glimpse into the creative process behind such glamorous imagery.

Found these whimsical furs featured in Vogue 1969. Which one is your favorite? 📸 by Richard Avedon

These images are incredibly rare, making it nearly impossible to find high-quality versions of The Row’s 2007 lookbook. Founded by Mary-Kate and Ashley Olsen, The Row takes its name from Savile Row and began as a line of high-quality basics. Over time, it has evolved into one of the most luxurious fashion brands, all while maintaining its core commitment to impeccable craftsmanship.

Vivienne Westwood’s corset is undoubtedly one of her most iconic and transformative designs—and personally, it’s my absolute FAVORITE. Over the years of studying Westwood’s work, I’ve come across videos of her passionately sharing the inspiration and the experience behind its debut in the Autumn/Winter 1987 collection, knowing it was destined for success. What truly adds depth to this story, though, is hearing Bella Freud and Kate Moss share their perspectives and experiences from when it was first created. By the way, if you haven’t already, I highly recommend checking out @fashionneurosis_bellafreud. It’s such an incredible series—I’ve been binge-watching it nonstop these past few days! Slide 1) Sarah Stockbridge wearing Vivienne Westwood’s corset 1987 Slide 2-3) Fashion Neurosis with Kate Moss and Bella Freud Slide 4-5) Vivienne Westwood Talks to Kristy Wark via BBC Slide 6) Sadie Frost walking Vivienne Westwood Autumn/Winter 1987