hamishallanheadley

Today is the Day. The Madness on @netflix This is a special one. Congratulations @kingofbingo @tam.topolski @johnortiz718 @marshastephanieblake @ennisesmer @stephenbelber @vjboyd

This is an exceptional show made by exceptional folks. Lots to celebrate. November 28 on @netflix makeartwithyourfriends

“Sometimes you kick ass, and sometimes you get your ass kicked.” #MayorOfKingstown #ParamountPlus

Which side should Kyle choose? #MayorOfKingstown #ParamountPlus #TaylorHandley #HamishAllanHeadley #Family #Choice #Sides

Is that a threat, Robert? #MayorOfKingstown #ParamountPlus #JeremyRenner #HughDillon #HamishAllanHeadley #TaylorHandley #Argument #Threat #Drama #Friends

Where does this leave them? Stream the season finale NOW! #MayorOfKingstown #ParamountPlus #Drama #Finale

These are the things you dream of… To work with artists of this calibre who are uncompromisingly dedicated to producing such a high standard of storytelling Very Proud & Unbelievably Grateful. SEASON 3 JUNE 2 @mayorofkingstown @paramountplus

Proud to be part of such a talented, dedicated and insightful crew. Every one of them lay their hearts on the line for this one. @paramountplus @mayorofkingstown

Season finale of @mayorofkingstown today on @paramountplus. Filming this episode was a wild ride. So much gratitude to all those involved for having me on board.

It has literally been a dream come true working with this crew. I’m very proud to be counted among these incredible artists.

Happy Opening Weekend to these incredible women!!! I feel very fortunate to be a part of this crew. Come see us at the Irish Rep. Discount tix in Bio

If Sartre were to write a play in our age of social media, he might end up somewhere in the realm of the Bridge Production Group’s fascinating “See You.” The show, directed by Max Hunter, with text by Guillaume Corbeil is less a play than an experiment in the empty. - The conceit of the play, that our online façades mask despair, insecurity, and, worse, nothingness, is clear from the start, and the play’s breathless delivery of its cynical raison d’être is as unrelenting as a Twitter feed, losing track of anything human. - The New Yorker