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Yesterday I received the Albert Bert prize for Best International Achievement at the Ensor Awards in Ostend Belgium. It was an honor to be there and to be recognized for my work by all the guilds in my home country after having left 32 years ago. It was nice coming home for it. Thanks again to @ensorsawards , @petercraeymeersch @the_sbc @louberghmans_sbc @dalle.benjamin It was great to run into my friend @bervoetsgene after all these years.

It was nice to be interviewed by Niels Ruëll for Knack Focus in Belgium about my journey. Movie’s coming out this weekend ! #hungergames

Challenge accepted. Post a picture of being on set to raise awareness of the work stoppage.

One last trailer before the movie comes out on November 17. Been working on the color over the last few months with @davehussey_color_co3 , @francishlawrence and vfx supervisor Adrian de Wet @_mister_death__ #hungergames

Coming to theaters only November 17 ! #thehungergames

Had a nice chat with Ben Consoli from @gocreativeshow about some of the work we did on Finch. Podcast on all platforms.

Finch opens on Apple TV+ today. I first worked with director Miguel Sapotchnik on a music video for James Lavelle’s project “Unkle” in 2007. Just for some deep history, @kob7 and I used to go to The Blue Note on Hoxton Square in East London where James Lavelle @unkleofficial hosted a Mo’Wax night once a month. Miguel and I didn’t manage to do anything else until 2019. So life goes, but it was worth the wait. “Finch” has scale and we did some big sequences, and it’s an adventure, but it’s mostly a very intimate and small film about life. It’s much more philosophical and reflective than driven by plot and adventure. At least that’s how I experience it. @davethompsonsoc, A camera operator, myself and Miguel did a zoom call for the Society of Operating Cameramen talking about the experience on the film. They’ll post it on their website. We had 2 actors, a dog, and a big crew behind them to make this little movie happen. Finch is played by Tom Hanks whom I can’t say enough great things about. Jeff the robot, was brought to life by Caleb Landry Jones. (I also can’t say enough great things about him) And then there was Seamus the dog. We discussed different methods of shooting the film, but in the end, we felt it would benefit the film to keep it simple, like a family drama. It felt most honest that way towards the characters. We shot mostly hand held, which made it harder for the vfx team led by Scott Stokdyk to integrate the robot, but ultimately this style makes you forget the robot is a CG character. We shot on T-series anamorphic lenses that @dan_sasaki @panavisionofficial expanded to fit the 4k Mini LF sensor. All these elements kept us away from being too fancy and glitzy. Everything is a bit beaten up. Just like life: perfectly flawed. In the DI, colorist @davehussey @company_3 kept us away from the trappings of wanting to be all cool as well. Just put yourself on the couch, put a warm blanket around you, relax, and just enjoy it. We need movies like these right now. Thanks to the great crew on this film in New Mexico. It wasn’t always easy in the dust storms, but ultimately it was a nice trip in the RV.

#finallyoutofquarantine #snow #cabbagetowntoronto

One of my favourite scenes from See episode 2. We arrived on location and all you could see was fog. Everything looked flat, no contrast. It wasn’t right for the scene, so we decided to wait it out. We waited, and waited a little longer until some people started to get nervous we would not get the scene, but fortunately, just in time, we got full sun. We shot the scene in 3 set ups: a quick wide shot and two two-shots. Dave Thompson, A-camera operator kept the camera hand held, and as the scene got more intense he moved closer and closer. Camera was Alexa 65 with a 35mm lens. The lens was inches from their faces at times. We used a little bit of bounce but it was mostly natural sun. By using almost no fill, the way the light bounces off the fabric of his wardrobe kept the light dynamic and natural. Dave was probably covering most of the bounce since he was that close. (that’s not a complaint by the way, he just had to get in there!) Beautiful costumes by Trish Summerville. @mztsummerville Color by @davehussey @company_3 Focus stays dynamic by @filmryder making creative choices between the two characters in the alexa 65 format. It’s all really simple but effective and efficient. #cinematography #alexa65 #arri #vancouverisland

The first three images were photographed with fire only. No other light used for fill or accent anywhere else. A propane flame hidden in a few fake logs. The last shot of Jason Momoa @prideofgypsies looking at the kids in the hut was shot as day for night. We pushed a ton of 9 light maxi brutes on a light chase onto him to achieve the flame look and the right exposure of the background to feel like a cool night. Alexa 65. Arri prime S and leica thalia #cinematography #arrialexa65 #see episode 102 #leica

Just digging around a bit in the old box. Wishing a bit. Things to look forward to. #cinematography #spies #panavision #arrialexa #redsparrow #anamorphic #budapest