No Contact — 1/3 Throughout shooting this project I was able to further extend my experience on 16mm colour negative film. Compared to a general low key red toned darkroom, @martmalecka and I decided to depict a harsh, bright contrast between the houselights and the safelights. After we tested the stock under pure red light with LEE Primary red gel, underexposing the negative by one stop gave the finest results in highlight details. In tungsten lighting conditions I usually over exposed by a 2/3 stop. Producer: @mildhickey Writer: Sasicha Sukpitak Director: @martmalecka 1st AD: @henryy.butler DP: ✌️ Gaffer: @anccaradu 1st AC: @yasboxall 2nd AC: @isabellagthompson Production Designer: Vivien Sinclair & Boris Leigh Script supervisor: @ellaobr PM: @nick_saved Editor: Yijing Huang Music and Sound Design: @freddieloganfilms Camera: Arri SR3 with Zeiss Super Speed T1.3 lenses Negative Format: Kodak 500T University of Westminster©️2021 #ShotOnFilm #16mm #kodakfilmlablnd #kodak #kodakshotonfilm #ShotOnFilm #kodak500T #colourcinematography #filmlab #shotonsr3 #16mmfilm #kodak16mm #cameragrip #specialgrip #filmgrip #analogue #ukfilm #studentshortfilm #shortfilm #experimentalshort #cinematography #leefilters #primaryred #leeprimaryred106 #zeisssuperspeeds #cinematographyuk