Meet Miss Havisham! @fkachristianlacroix’s couture shows always concluded with a spectacular bridal gown, a tribute to Miss Havisham, his beloved character from Charles Dickens’ 1861 novel, ‘Great Expectations’.⁠
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The wealthy spinster, left at the altar, became a metaphor for the fading desirability of aging women as she remained in her decaying mansion, wearing her wedding dress.⁠
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In this installation, Lacroix and hairstylist @cyndiaharvey challenge the persistent associations between age, shame, and diminishing beauty. Here, Miss Havisham is dressed in a Christian Lacroix Spring-Summer 2004 couture silhouette.⁠
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Representing aging hair as inner strength, Cyndia Harvey’s wig symbolizes how self-confidence only grows with age.⁠
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The installation by Christian Lacroix and Cyndia Harvey is on view in ‘Masquerade, Make-up & Ensor’ at @momuantwerp through 2 February 2025. Don’t miss it.⁠
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#MoMuAntwerp #Ensor2024 #ChristianLacroix #CyndiaHarvey
Meet Miss Havisham! @fkachristianlacroix’s couture shows always concluded with a spectacular bridal gown, a tribute to Miss Havisham, his beloved character from Charles Dickens’ 1861 novel, ‘Great Expectations’.⁠ ⁠ The wealthy spinster, left at the altar, became a metaphor for the fading desirability of aging women as she remained in her decaying mansion, wearing her wedding dress.⁠ ⁠ In this installation, Lacroix and hairstylist @cyndiaharvey challenge the persistent associations between age, shame, and diminishing beauty. Here, Miss Havisham is dressed in a Christian Lacroix Spring-Summer 2004 couture silhouette.⁠ ⁠ Representing aging hair as inner strength, Cyndia Harvey’s wig symbolizes how self-confidence only grows with age.⁠ ⁠ The installation by Christian Lacroix and Cyndia Harvey is on view in ‘Masquerade, Make-up & Ensor’ at @momuantwerp through 2 February 2025. Don’t miss it.⁠ ⁠ #MoMuAntwerp #Ensor2024 #ChristianLacroix #CyndiaHarvey
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