arivibe

The Eyes of the Ocean Are Always Swollen Directed by Ari Kim @arivibe Assistant Director @whoruidku Cinematographer @yoonihansso @justin.park.se Editor @arivibe Score Artist @_digatrip Set Designer @freckledenemy Art Assistant @abo_cad0 @davidma_rt Costume Designer @shadowx6669 @whoruidku @arivibe Movement Coordinator @davidma_rt Performer @arivibe @taylen_jaylor @abo_cad0 @whoruidku @anhkos @freckledenemy @wicked.kid We do not go through one birth in life, we perhaps are continuously being born again by who we encounter or new enlightenment. This film is a documentation of a struggle and the overcome of a woman has gone through, both as a daughter and a mother. We are still both healing from the bruises we made for each other; instead of covering the scars, we are facing them, so that they won’t become yellow cysts. Thank you for everybody once again who was part of this film and my friends who supported me throughout and after, I dear all of you. Full video available through vimeo (ask for password, would happy to share) @independentshortsawards @cannesworldfilmfestival @berlin.shortfestival . #film #theeyesoftheoceanarealwaysswollen #director #shortfilm #experimentalshort #cannesworldfilmfestival #independentshortawards #berlinshortfilmfestival

@galerie.shibumi is proud to announce the representation of painter and filmmaker Ari Kim @arivibe. Kim will be the subject of a solo show with the gallery in early 2025. Invisible threads of fate weave through all living beings, connecting them in ways both seen and unseen, across lifetimes and moments. Ari Kim’s work explores this intricate web of connections known as “In-Yeon (인연),” a concept deeply rooted in the idea of fate or providence. In-Yeon speaks to the invisible lines and knots that bind all living creatures, transcending time and space. These connections are not limited to lovers or family; they extend to friends, strangers, and even fleeting encounters on a subway. Ari’s current series, “Mae-Deup (매듭),” delves into the profound connection between two figures who could be a young mother and daughter or perhaps a larger self and its younger counterpart. “Mae-Deup (매듭),” which translates to “knot” in English, refers to the traditional Korean art of decorative knotting, symbolizing the bonds or connections that tie us together. In these works, the figures’ braided hair, reminiscent of an umbilical cord, emphasizes this connection. Historically in Korea, hair was considered a sacred gift from ancestors, to be cherished and protected—adding layers of meaning to the imagery of hair as a navel string. The figures in Ari’s paintings engage in acts of service, quietly expressing love through small, tender gestures. Whether it’s napping on a loved one’s knees, creating a shadow to shield them from the sun, or gently plucking white hairs with care, these moments replace direct words of affection. Through her art, Ari seeks to unveil forgotten memories, subtly capturing moments that once existed. She refers to these moments as “creases”—the gentle folds of time that bear witness to past gestures. Caption continuing the comments… Photo by: @folanadionemiller

Invisible threads of fate weave through all living beings, connecting us in ways both seen and unseen, across lifetimes and moments. My work explores this intricate web of connections known as “In-Yeon (인연),” a concept deeply rooted in the idea of fate or providence. In-Yeon speaks to the invisible lines and knots that bind all living creatures, transcending time and space. These connections are not limited to lovers or family; they extend to friends, strangers, and even fleeting encounters on a subway. My current series, “Mae-Deup (매듭),” delves into the profound connection between two figures who could be a young mother and daughter or perhaps a larger self and its younger counterpart. “Mae-Deup (매듭),” which translates to “knot” in English, refers to the traditional Korean art of decorative knotting, symbolizing the bonds or connections that tie us together. In these works, the figures’ braided hair, reminiscent of an umbilical cord, emphasizes this connection. Historically in Korea, hair was considered a sacred gift from ancestors, to be cherished and protected—adding layers of meaning to the imagery of hair as a navel string. The figures in my paintings engage in acts of service, quietly expressing love through small, tender gestures. Whether it’s napping on a loved one’s knees, creating a shadow to shield them from the sun, or gently plucking white hairs with care, these moments replace direct words of affection. Through my art, I seek to unveil forgotten memories, subtly capturing moments that once existed. I refer to these moments as “creases”—the gentle folds of time that bear witness to past gestures. When light touches these creases, it casts a shadow, revealing the trace of what once was. This shadow, this delicate interplay of light and memory, forms the essence of my work. Each piece is an exploration of the enduring and often unseen connections that shape our lives, a visual narrative of the bonds that weave us together across lifetimes. Thank you Folana for the beautiful studio photos!💓🥹 @galerie.shibumi Beautiful Shirt Hand Drawn by @iamsio More exciting work upcoming soon🏃🏻‍♀️‍➡️ #studio #painter

Some works in progress

more new works ing

(24) by @arivibe and @hudy_hahng Once again, I extend my heartfelt appreciation to everyone who contributed to crafting this meaningful endeavor. I want to express my deepest gratitude to each of you for your unwavering commitment and effort. I feel immensely fortunate to have such a talented and supportive team around me. Our project, “24”, is not just a story; it’s a reflection of our own journeys and those of others who have been 24. This deeply intimate project, co-created by Judy and myself, is now brought to life by individuals who have been 24, are currently 24, or will soon reach that milestone. Thank you once more for being an indispensable part of this journey. I am genuinely thankful for each and every one of you. Warmest regards, Dami @abo_cad0 Lucas @preemanthony Jack @devin.lee999 Director @arivibe Writer @hudy_hahng Producers @alexandralauraa @vee_pang @juliegyuri Assistant Producer @paul.bang First Assistant Director @juliegyuri Second Assistant Director @jordanlisi Cinematographer @alexkchandp 1st Assistant Camera @ac.papi 2nd Assistant Camera Anna Boardman @thomaskasem @haileycport Camera Operator Tommy Espinal Steadicam Operator @shot.by.malcolm Gaffer @luis.key.light Key Grip @spoopell Best Boy Electric @gaffalos Best Boy Grip Peter Steiniger G&E Swing @saceni Daniel Walsh Sound Mixer @eunicejchung Boom Operator @blakemiele Production Designer @marina_zeballos Art Director @mcrisntback Art Assistant @asianbabygangster Wardrobe @whoruidku Production Assistant @jakeyyancey @johnromines_ @fede.mara @sitongcao Mer Fernandez @lilyypinder @carolinenoel00 @mihneavonica Cargo Driver Daniel Walsh Bts Photographer @thomaskasem @field_of_ivy Social Media Manager @thekaylyn Some stills and bts photography by @thomaskasem Please tag me ppl who I wasnt able to tag!🫶 Also great thanks to @jackbirchler and so many more #itsawrap🎬 #shortfilmnyc #shortfilm #filmmakers

Work in progress of a series 4ft by 5ft #oilpainting #nycartist #art

When the night comes, azaleas grow on the mountains, 2024, Ink and Oil on Wooden Canvas, 30in x 40in Where azaleas grow, my heart also grows, 2024, Ink and Oil on Wooden Canvas, 30in x 40in In these paintings, the artist captures the tender essence of nostalgia through a poignant figurative scene. Amidst a backdrop of lush, oil-painted background, a garden of Eden, reminiscent of the artist’s fondest childhood memories, a solitary figure rests in a fetal position, evoking the innocence and vulnerability of infancy. The background is adorned with meticulous oil brushstrokes, depicting flowers and plants that are covering up the figure as if it created a nest. Contrasting with the elaborate detail of the background, the central figure is rendered in delicate, simple ink lines, emphasizing their fragility and emotional resonance. Curled up like a newborn, they embody a sense of retreat into the safety of cherished memories, cocooned in the gentle embrace of the past. The inspiration behind the painting lies in the artist’s own childhood lullaby, a melody sung by their mother that still echoes softly in their heart. Through “When the Night comes, Azaleas grow on the Mountain” and “Where Azaleas grow, my heart also grows” the artist invites viewers to journey into the tender recesses of their own past, where the innocence of youth and the warmth of maternal love converge in a timeless embrace. These two paintings are meant to be one for creation but as long as it is loved by different families, they could be separated. It will still be one no matter where they are. Will be showing tomorrow @_jordangallery_ #oilpainting #oiloncanvas #art #nyc #nycartist #nycgallery #painting

Just a lil more details and a signature🌱 Also my studio playlist has been the same for three years🫣 #artist #nyc #art #workinprogress #wip #oiloncanvas #oilpainting #ink

I love how you are your art just as much as your art is you. Does that make sense? How do you make something so floaty, so invisible into something physical? Painting by @arivibe Words by @hudy_hahng

Work in progress #painting #art #wip #workinprogress #ink #inkdrawing #wood

“December Daydream” for Victor and Maya 36in x 48in Oil on Canvas Open for commission! Thank you Victor for letting me create such meaningful gift to you☺️ #💖 #oilpainting #oiloncanvas #commission #commissionsopen #painting