dejhati

🏆 Winner of the @lumen_prize Immersive Environment Award at @barbicancentre last night! Thank you to the Lumen Prize, BCS and the jury who included individuals from Whitney, Tate Britain, the V&A, Serpentine, and HeK Basel. Such a huge honor! This was a collaborative effort with the team (listed below). • ‘I’d rather be in a dark silence than’is a signal isolation/blocking trench coat and the first piece from Ania Catherine and Dejha Ti’s Privacy Collection. Created in collaboration with fashion designer Barbara @sanchez_kane  and @mocda_ the coat merges conceptual art, fashion, and function. The visually absurd pockets are lined with military grade fabric to keep wireless technologies offline—a technique primarily used in law enforcement and digital forensics. Devices and RFID objects sealed in the dark pockets are unable to be reached, traced, hacked, nor monitored. For this multimedia interpretation of the coat, Ti and Catherine collaborated with Berlin-based artists and fellow artists-in-residence to translate the work into other outputs, culminating in an environmental tapestry. They worked with @evelyn_bencicova on a photo series, and created a short film with @mkornai featuring @da.do.di.du . An AR filter by Aaron Jablonski @exitsimulation is discoverable in the space, which is also used in the film. These works demonstrate the coat’s capability to withdraw the wearer’s identity. The exhibition score includes pieces from @amontobin , @tonycruise_ with words written/performed by Cruise entitled Privacy is Fake Now. Supported by @sonarplusd @beatsbydre 🔌 #lumenprize #lumenprize2021 #immersiveart #dejhati #aniacatherine #immersiveart #artandtechnology

Speaking at @startseu @buchmesse • Conversation with Porter Anderson and @eleonora.brizi about our piece “On View”, digital art that doesn’t look digital, surveillance capitalism, and a glimpse of our new work “Soft Evidence” #startsday #starts #digitalart #aniacatherine #dejhati #iamonview #eleonorabrizi #frankfurterbuchmesse #fbm21 #artandtechnology

Human unreadable alphabet print can be posted with this caption: Human Unreadable Alphabet Print | Limited edition of 150 Signed by Ania Catherine and Dejha Ti, Numbered $375 + Shipping (payable in USD or Eth) Still frame from each of the 31 moves in the Human Unreadable library expressed through a dotted avatar exported from Operator's custom TouchDesigner program created as part of the motion data downsampling pipeline for storing on the Ethereum blockchain. • • • • • #operatorart #humanunreadable

Conversation today as part of @artbasel Digital Dialogues | “Towards a Poetics of the Digital” Panelists: @operator_______ @aniacatherine @dejhati @anamariacaballero Moderator: @h.art_chronicles Presented by @taex_com

see you in Miami @lacma

We are proud to reveal the first X-Ray Machine Human Unreadable #51 X-Ray Machine (2024) In the collection of Arab Bank Switzerland We developed the X-Ray Machine as a method to display Human Unreadable pieces without the use of screens—instead through a dynamic sculpture. Viewable from all sides, the X-Ray Machine generates hundreds of images, reveals what is below the surface, and acknowledges the underlying choreographic score which created the piece, quietly hiding behind it. Medium: Stainless Steel (Linear Brush), Acid & Fire Treated Engraved Copper, Smoked Two-Way Mirror Acrylics, Engraved Acrylics, UV Print on Acrylics, LEDs, Time Circuit Microprocessor for Light Animation, Engraved Steel Circuit Board, Black Silicone Cables, M4 Allen Pan Head Screws, Physical Engraved Power Key, White Balance Selector, Proof of Issue ownerOf NFT. Dimensions: 70.4cm x 34cm x 102.3cm 56 kilos

cooking

Thank you Dr. Merve Güven Özkerim (@web3sanat ) for taking the time to speak with us and write about Human Unreadable/algorithmic choreography. Link to read the article in stories 🇹🇷 . . . #operatorart #generativechoreography #humanunreadable

Human Unreadable mentioned in the recently published “The Arts and Computational Culture: Real and Virtual Worlds” — in the wonderful chapter by @leslie__deere focused on performance.

Thank you everyone who attended the Coddess Variations artist talk. It was wonderful for all of us to finally share with the public the many layers of this work and depth of the collaboration envisioned by @herminebourdin merging sculpture, dance, code, collectable choreography, film, Laban notation, music 〰️ Panelists: Eric Grebille @operadeparis Sculptress, concept @herminebourdin Dancer @eugenie_drion Film @hervemartindelpierre_hmd Choreographer @aniacatherine Operator Generative Choreography Method @dejhati Developer @oriontroismille Patron @sebastienborget Special thanks to @artverseparis and @bygrida for hosting! • • • • • #Coddessvariations #generativechoreography

▪️ Dance is here to stay ▪️ Thank you @emilyjaynemay @artbasel for including Coddess Variations @herminebourdin in this brilliantly insightful piece about the complex and rapidly evolving relationship between dance and the art world. We're really proud for our Operator Choreography Method to be part of this exciting moment where dance is becoming collectable in new ways, breaking out of theaters, entering into more collections, and reaching wider audiences. Coddess Variations @herminebourdin @operadeparis @eugenie_drion @hervemartindelpierre_hmd @aniacatherine @dejhati @christine_ott_ @oriontroismille . . . #operatorart #generativechoreography #coddessvariations

An honor. “Operator profiles Rebecca Allen” for Le Random. Allen’s work with the body, movement, technology was truly groundbreaking, and central to understanding the historical lineage in which Human Unreadable sits. Thanks to Rebecca, Peter Bauman, and Le Random for facilitating this chance to connect with an artist we look up to immensely. @lerandomart_ @monkantony • • • • • #operatorart