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Reason #1 to get excited about our move: Location, location, location!
Worthy of a feature on Grand Designs, Panalux HQ is now at Pasadena Close, Hayes. Our new location is near the M4, M25, and M40 motorways – we have ample parking if you choose to drive! It’s also easily accessible by the new Elizabeth tube line, and Heathrow airport along with other Panavision group services are just a short distance away.
47 0 8 months ago
Reason #2 to get excited about our move: Growth is a good thing, as our therapist has informed us!
Panalux London is purpose-built with space to grow into. It offers a more engaging space for production prep and product testing. One of our best features is our unparalleled service and support – bringing our extensive London inventory, transport fleet, R&D, engineering, textiles, and much more under one roof enabling us to deliver a high quality service to our clients!
91 1 8 months ago
Reason #3 to get excited about our move: it is easy being green!
Panalux London’s new facility has been designed with sustainable practices as a priority. The new HQ offers roof-mounted photovoltaic array (also known as solar panels) which is built into the sites power system for cleaner energy and boasts other sustainable features such as electric vehicle charging points.
40 0 8 months ago
Who's ready for #Christmas? 🎅 🎄 Today we're sharing a special #behindthescenes look at this fun #Hungryman #ASDA spot.
Production Company: Hungry Man (@hungrymaninc)
Shot at: #BlackIslandStudios, Stage 1 & 5
Director: Bryan Buckley (@obeeeeeeeone)
Producer: Camilla Cullen
Production Manager: Tom Martin
1st AD: Joe Carter
Grip: Felix Milburn-Foster (@felixmilburnfoster)
Gaffer: Reuben Garrett
Electricians: Lawrence Stromski, Joseph Nowell, Chris Howorth, Jude Garrett, Rob White, Micky Mack, Tison Bailey
Rigger: Andrew Thompson
Production Designer: David Skinner
Art Director: Matt Fraser
Props Stylist: Tess Bartlett
Lighting gear: @Panaluxworld
Photos & Video Courtesy of Metro Rigging (@metro_rigging) #RiggingExcellence #MetroRigging
Season's Greetings from Direct Digital!
As the holiday season rolls in, we want to send you our warmest wishes and thank you for your collaboration throughout 2024.
We are truly honoured to have been part of your journey and look forward to seeing you again in the coming year.
Wishing you a fantastic holiday season.
Your Direct Digital Family
About the Video:
Created in-house, we shot at Dukes @island_studios and features @asteraofficial Titan, Helio, and Hyperion tubes, @panaluxworld Sonara 4:1 Panels, and @aputure.lighting Infinibars.
📹 @tomfilipefilm
51 0 8 days ago
@abi.hurcomb hosting 👋
COLD WATER
A really fun short, written and directed by Leanne O'Neil. For this film we really wanted to get a slight sense of claustrophobia felt by the main character and portrayed through the framing, so decided to develop a visual language where we always kept quite spatially close to her with the climax/release moment finally allowing our lead room to breath with some luscious wides. The hero lens for this very quickly became the 32mm, and we were lucky to shoot on gorgeous Cooke Speed Panchros, which really helped to bring out the natural colour of the environment.
Cast: Jo McInnes, Michael Higgs and Scarlett Rayner
Kit from @panavisionofficial and lighting from @panaluxworld@anastasia.savinova.film@jaina_liu@pawel_achtelik@alexjgtan@pcioffi_@chelseamaryanne
#cinematography #dop #cinematographersuk #abihurcomb #directorofcinematography #womeninfilm #cookespeedpanchro #alexamini
Pokemon - “Parallel festivity” shot on @panavisionofficial 🎄
Shot on both #primo70 and #panaspeed lenses on a M7 EVO 4 axis head mounted on a 23’ techno. Really fun job and childhood dream of mine on this one 😌we tried to do as much as possible in camera, we had to create this short 15 second take where the Pokemon move freely and motivate the camera movement in the shot. The move was predetermined and quite tricky, we had to come up with a few smart solutions like splitting wall sets where we could get the whole techno to operate with a bit more freedom around the room at a lower level, since we were not able to raise the set. We also had to nail the timings, angles and positions on the day, imagining the Pokemon where there, it was a full on choreography took a few tries but we managed in the end ✌🏽
We also used an array of @panaluxworld Allegra C 4:2 and 2:1 hidden across the set to create little accents of light on this 1 take shot.
Director: @directormellor
Dop: @miguel.carmenes
Gaffer: @jonny.boomer
Desktop: @elliottlc
Grip: @tomstansfield_grip
1AC: @alibainesfilm
DIT: @jimmyloulewis@london_commercial_dits
Shot on @island_studios
Lighting provided by @panaluxworld
& serviced by @panavisionofficial #panavision London
1.1K 21 14 days ago
Did someone mention motorised 18K fresnel heads? Happy #waybackwednesday to the shoot of The Family Man (2006) with #DOP Balazs Bolygo BSC, HCA (@bodobadi) and #gaffer Ian Barwick (@ian_barwick)
The heads and motorised stirrups are still well in use in 2024, built to last! 🏆💪