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Beautiful work by Joe Perri shot in Big Sky Montana for @oomoonlightbasin! ⛰️✨ Produced by @willsonproject @dylansido @emilyelucas Photography @joeperri Photo Assistant @bogusluck Motion @danshetron Wardrobe @fernifern Hair/makeup @kendellcotta Talent @_joshupshaw @sandradrifter Production support @billtooturnt @steph_venter Hand prints @phtsdr

Anne Hathaway photographed by Heather Hazzan for the cover of WWD! ✨ Photographer/Director @heatherhazzan Styled by @thealexbadia Cover story by @leighnordstrom DP @graykohs Visual Media Director @jgreenery Creative Set Design @calvy.click Makeup @Gucciwestman Hair @Hairbyorlandopita Nails @jinsoonchoi Movement Direction @danivitale Senior Market Editor, Accessories @twallz21 Women’s Fashion Market Editor @elmercer Fashion Assistants @jaristark @kimberlyinfant Motion still by @graykohs and @heatherhazzan Lighting @vsnyfilms Photo Assistant @paigge Film Process/Scan/Prints, Stills post production @phtsdr Film Process/Scan @metpostny Post Production, Motion Stills @alberto__maro Studio Daylight Flatiron @daylight

Our talk with L’Artiere @lartiere is today at 4 pm! Send us an email if you’d like to get a spot last minute. Reading Morandi is a collection of photographs taken by Mary Ellen Bartley @maryellen_bartley during her artist residency at Casa Morandi, Giorgio Morandi’s home and studio in Bologna, and at his summer home in nearby Grizzana. The book is published in conjunction with the exhibition Mary Ellen Bartley: Morandi’s Books at Museo Morandi. The folded images, outtakes and incidental photographs taken during her stay, draw attention to the peripheral, as what was in the center moves to the edge of the page. These pages bound together offer a quiet dialogue between the traces Morandi left, the books he studied, the objects he painted, and the atmosphere of his most intimate spaces.

Tomorrow at 4 pm is our talk with eight @lartiere artists and our final event of the year! Among the artists is Phillip Toledano @mrtoledano who will be speaking about his two books, We Are At War and Another America. Both question the threshold between reality and fiction by exploring the possibilities of AI. We Are At War imagines the contents of one of the lost film rolls Robert Capa shot on D-Day in 1944. “We are at a cultural turning point -our relationship with the image, and the idea of image as truth -has fundamentally changed,” Phillip Toledano says of the work. “What better way to illustrate this than by convincingly reinventing one of the most significant moments of our own near history?” Phillip’s exploration of the topic extends to his book Another America whose AI-generated images are set in 1940s and 1950s New York. This was a time when photographic imagery held a unique sense of veracity, and Phillip’s project transports viewers to a parallel universe where historical events take unexpected turns.

Our talk with @lartiere this Saturday is sold out, but please email us if you’d like to snag a spot! Lois Conner @loistrueblue is among the artists joining us. Her recent book with L’Artiere, To Be, offers a reflection on the nature of pregnancy. The artist shares about her work: The oldest known depiction of pregnancy is the Venus of Willendorf (c. 25,000 BC), discovered in Austria in 1908. It’s a limestone figurine with pendulous breasts and fertile hips. One night in the summer of 2023 when I was developing the last negatives for this project the temperature in my darkroom reached 100 degrees. Overwhelmed by the heat and the intensity of these images, I left the negatives in a water holding bath overnight. When I went to hang them up the next morning I was horrified when the emulsion began sliding down the plastic base of the film. I hurriedly held up one of the sheets of film to the light box and took a photograph. Suddenly, there was a Venus of Willendorf of my own. Now, I see the shape or spirit of Venus in each one of these portraits, images of seen and unseen transformations that give rise to human life. I also see my own inspiration to understand and describe the pregnant form — fertility, fecundity, hope, birth, precarity and even time itself.

Luis Rodriguez captures this season’s heels in a poetic Vogue editorial featuring American Ballet Theatre dancers Kyra Coco and Cassandra Trenary Models @cassandratrenary @kyracoco Photos @luisalbertorodriguezstudio Styling @tonnegood Hair @sonnymolinahair Makeup @kuma1206 Nails @jinsoonchoi Set @maryhoward_setdesign Post @dtouchcreative Production @faragoprojects Photo Assistant @kylemaykylemay Handprints @phtsdr

Grateful today and every day for our amazing clients who inspire us with their creativity and passion. This Thanksgiving, we’re celebrating you and your incredible submissions for Kodak Tri-X film’s 70th anniversary! We hope you all enjoy the holiday, Happy Thanksgiving!! 🍁 🦃

“The people I photograph work with their hands. They include beekeepers who wear no protective clothing, catfish noodlers who grab eighty-pound fish, and shrimpers who sort out bycatch from the shrimp they will sell,” Holly Lyndon @hollylynton says of her astonishing book about modern agrarian life in America, Bare Handed. Lyton traveled across the U.S. and returned to the same communities year after year to make what became her debut book with @lartiere . Bare Handed comprises 85 gestural portraits depicting people working barehanded in tandem with their environments and using tools mostly replaced by mechanization. Lynton is among eight artists joining us in the studio on Saturday, Dec 7 to celebrate the work by L’Artiere Edizioni. Full line up and RSVP via link in bio!

On a cool February day, more than 20 years ago, Greg Miller @gregmillerfoto asked a New Yorker why they were wearing ashes on their forehead. Fascinated by the juxtaposition of the ancient ritual against the backdrop of contemporary New York City, Miller began exploring Ash Wednesday every year using his large format 8-by-10-inch view camera. “I encounter my subjects on their way to an important meeting or running to catch a train, meanwhile, they wear the mark of an ancient ritual. And it’s a tangible reminder itself that we are mortal, human and that speed and efficiency are not everything.” This body of work evolved into the book Unto Dust, published with @lartiere. Greg Miller will be speaking about the work Saturday, December 7 during our end of year celebration with the imprint. The full line-up and RSVP link are in link in bio ❤️

Grace Ahlbom made this beautiful portrait of celebrated photographer Emmet Gowin for No. 256 issue of Aperture! Handprint by @phtsdr ✨

Angela Cappetta @angelacappetta_ spent the late 90s photographing the youngest daughter in a family on the Lower East Side. The work from that series about girlhood in pre-gentrified New York is behind Glendalis, Cappetta’s book with @lartiere . Cappetta is among the eight artists we’re hosting on Saturday, December 7 who have published with the much-beloved imprint, L’Artiere. RSVP via link in bio! Here’s what Cappetta says about her work. Shot exclusively in the fields, buildings and apartments of that neighborhood, the family occupied a multigenerational tenement. This family system echoes my own. I grew up the same way. Multiple generations lived on the same block, neighborhood or house, with everyone all on top of each other. I was a city kid — independent from a young age just like the daughters in these pictures. Shooting this work felt real and authentic, a call back to who I was as a city kid in New Haven, one of the most economically stratified cities in America. Blind Mag referred to me as an “enfant sauvage”-wild child in English. However, even though I constructed a beatific family narrative in my pictures, the 90’s were not beatific at all. Crime, incarceration, gangs and death surrounded these neighborhoods, informed by my own upbringing.

In anticipation of our talk and signing with @lartiere on December 7, we’re sharing the work of Andrea Modica @andreamodica.photo. “My hope for every young photography student is that there comes a point when the need to do the work overrides the desire to do well in school. This happened for me in earnest when I was in graduate school in 1984. I liken this moment to a first kiss; you get only one chance, and with some luck it’s not squandered.” From that need, Catholic Girl was created, a series of 8x10 portraits of students at all-girls Catholic schools. Modica made her first portraits at her alma mater in Bay Ridge. In a piece for the New Yorker, Modica tells Naomi Fry: “I recognized something there that I had to deal with about my time in high school—something both horrible and wonderful. And I had the privilege of dissecting it through these pictures.” Modica will be signing copies of Catholic Girl, as well as her other titles with L’Artiere: January 1 and As We Wait. RSVP via link in bio!