It's done! Been working on this for a minute. Please visit 4a.com.au to watch in full with the sound blasting! 💥
🔮Commissioned for 4A Digital, this digital animation entices viewers to glide into a neon-glistening and sonically-throbbing virtual palace, where a bounce-back of mysterious forces awaits.
Rel offers us a primer for Electric Dirge: “A thousand blades slice through the air, their cacophony reverberating around the room, bouncing off walls and colliding with themselves. The room, thick with heat, vibrates as messages gleam back and forth through a colossal undersea of cables, ricocheting off satellites that float in a vacuum. A glacial shelf collapses into the sea. $DogeCoin is trending. The world’s largest bonfire – an incomprehensibly large inferno; billions of people circling around it endlessly; NASCAR at the Kaaba, each one going a different direction.
The call to prayer plays while children learn a new dance. The border conflict between China and India intensifies. You have been committing microaggressions your whole life without knowing. You drag your finger across the glass.
The exploration of virtual space is not unlike walking through an infinite hallway. A procession through endless messages that confirm, contradict, and confound each other. Any stop offers only temporary respite as you gesture towards the portal further down the rabbit hole – ‘If you liked that, then you’ll love this’. Digital pilgrimage is laden with intensity, absurdity, and banality.
This is Electric Dirge. A reverie mourning itself as it celebrates its own rebirth. All occurring simultaneously.
Forever twirling towards freedom.”
Visit 4A Digital
@4a_aus to access Electric Dirge in full.boommega
Known for his strong use of electric, vibrant colours and a penchant for surrealism, Rel Pham explores old and new myths, traditions, fables and rituals, resulting in surreal portraits or paintings of monoliths, computers and objects that look like alien still-lifes.
Curated by 2021 Curatorial Assistant Marco Rinaldi
@marco.com.au supported by the Sally Breen Family Foundation.
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