The term “Subversive stitch” comes from Rozsika Parker’s 1984 book of the same name, in which she unpacks how textiles have been dismissed as women’s work. Artists have pushed back against these associations, using stitching as a language to challenge fixed ideas and voice free expression.
Artists such as LJ Roberts, Tracey Emin and Nicholas Hlobo question gendered and value-based binaries and use the act of stitching as a radical practice.
Learn more about the works in the exhibition ‘Unravel - The Power and Politics of Textiles in Art’. On view up until January 5, 2025.
Tracey Erin, ‘No chance (WHAT A YEAR)’, 1999. Private collection UK.
Judy Chicago, ‘Birth Tear / Tear’, 1982. Collection of Jeffrey N. Dauber and Marc A. Levin.
Mounira Al Solh, ‘Paper Speakers’, 2020-2021. Stedelijk Museum Amsterdam, gift of the artist and Sfeir-Semler Gallery Beirut/Hamburg, 2023.
Feliciano Centurión, ‘Listen to the beat of your heart’, 1995.
‘I’m reborn at every instance’, 1995.
‘Starfish’, 1990.
‘I’m (a) soul in pain’, 1995.
‘I am a wildflower sprouting in the middle of the asphalt’, 1990. Works above part of private collection, São Paulo.
I am alive’, 1994. Estrellita B. Brodsky collection
‘Eye with ñandutí’, ca. 1994. Flavia Nespatti collection.
Nicholas Hlobo, ‘Babelana ngentloko’, 2017. Courtesy the artist and Lehmann Maupin, New York, Hong Kong, Seoul and London.
LJ Roberts, ’Carry You With Me: Ten Years of Portraits’, 2021. Courtesy the artist and Hales London and New York.
Angela Su, ‘Sewing Together My Split Mind: French Knot’, 2020. Courtesy the artist and Blindspot Gallery.
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