stxdyoz

THINKING THE UNTHINKABLE: DONATO PICCOLO’S ART OF THE INVISIBLE @donato_piccolo ’s art investigates various natural and emotional phenomena, often using technological and mechanical tools to create his works. Through a thorough study of human cognitive faculties, Piccolo’s art analyzes the perceptive aspects of the natural world. His artwork investigates natural, physical, biological, and scientific phenomena that are the basis of life, employing their emotional aspect as a tool. In order to induce such a peculiar resonance phenomenon, most of the artist’s works combine two complementary and inseparable aspects: they are at the same time sculptures and machines, forms and processes. According to Donato Piccolo, this hybrid character constitutes the actual nature of “holistic art”: an art whose essential function is to explore “the incomprehensible mystery of the visible world.” In this interview by @variantino , Donato Piccolo explores the boundary between art, science, and the invisible, revealing how his work challenges the limits of human perception and opens new possibilities for expression. Through philosophy, technology, and artistic vision, Piccolo guides us through a world in constant transformation. 𝘛𝘩𝘦 𝘪𝘳𝘳𝘦𝘨𝘶𝘭𝘢𝘳 𝘯𝘢𝘵𝘶𝘳𝘦 𝘰𝘧 𝘢𝘯 𝘢𝘳𝘵𝘪𝘴𝘵𝘪𝘤 𝘱𝘳𝘰𝘤𝘦𝘴𝘴 𝘤𝘰𝘯𝘵𝘪𝘯𝘶𝘰𝘶𝘴𝘭𝘺 𝘥𝘳𝘢𝘸𝘴 𝘰𝘯 𝘯𝘦𝘸 𝘳𝘦𝘴𝘰𝘶𝘳𝘤𝘦𝘴, 𝘣𝘰𝘵𝘩 𝘧𝘰𝘳𝘮𝘢𝘭 𝘢𝘯𝘥 𝘭𝘪𝘯𝘨𝘶𝘪𝘴𝘵𝘪𝘤, 𝘢𝘯𝘥 𝘪𝘴 𝘢 𝘤𝘰𝘯𝘴𝘵𝘢𝘯𝘵𝘭𝘺 𝘦𝘷𝘰𝘭𝘷𝘪𝘯𝘨 𝘴𝘺𝘴𝘵𝘦𝘮. 𝘐 𝘢𝘮 𝘢𝘵𝘵𝘢𝘤𝘩𝘦𝘥 𝘵𝘰 𝘢𝘳𝘵 𝘢𝘴 𝘵𝘰 𝘵𝘩𝘦 𝘷𝘦𝘳𝘺 𝘱𝘶𝘳𝘴𝘶𝘪𝘵 𝘰𝘧 𝘢𝘳𝘵 𝘵𝘰 𝘳𝘦𝘢𝘤𝘩 𝘵𝘩𝘦 𝘐𝘯𝘷𝘪𝘴𝘪𝘣𝘭𝘦. Video by @davidexrosano Vfx by @bvsskxy Music by Croatian Amor - Cup of Humanity

PEAKING THROUGH THE GARDEN’S BARS OF MARINA WOISKY - NOMADIC IMAGES BETWEEN ILLUSION AND REALITY Opening on November 28 at L.U.P.O. Gallery in Milan, 𝘛𝘩𝘳𝘰𝘶𝘨𝘩 𝘵𝘩𝘦 𝘎𝘢𝘳𝘥𝘦𝘯 𝘉𝘢𝘳𝘴 is an exhibition by São Paulo-based artist @marinavoisky, where the concept transitions between a garden of sculptures and the interior of a room. On this occasion, @gaddoamunni spoke with her about her creative process, her connection to the images she works with, and the themes of transformation, materiality, and desire that shape her practice. Born in 1996, Marina Voisky is an artist whose work relies on images of decorative objects and ornaments with organic forms as a substrate for her artistic production. Distorted, displaced, and compressed through successive material transpositions and the passage of time, these images undergo a transformation by the artist into extraordinary and chimerical animals and landscapes. Her works fall in the liminal space between bi- and three-dimensionality. Through this, the artist addresses the representation, a fundamental issue in the arts, as well as notions of taste and the very status of the image in contemporary society. 𝘛𝘩𝘦 𝘳𝘦𝘢𝘭 𝘲𝘶𝘦𝘴𝘵𝘪𝘰𝘯 𝘰𝘧 𝘵𝘩𝘦 𝘦𝘹𝘩𝘪𝘣𝘪𝘵𝘪𝘰𝘯 𝘪𝘴 𝘢 𝘤𝘰𝘯𝘴𝘦𝘲𝘶𝘦𝘯𝘤𝘦 𝘰𝘧 𝘵𝘩𝘦 𝘯𝘢𝘮𝘦: 𝘪𝘧 𝘵𝘩𝘦𝘳𝘦 𝘢𝘳𝘦 𝘨𝘢𝘳𝘥𝘦𝘯 𝘣𝘢𝘳𝘴, 𝘵𝘩𝘦𝘳𝘦 𝘴𝘩𝘰𝘶𝘭𝘥 𝘣𝘦 𝘢 𝘨𝘢𝘳𝘥𝘦𝘯. 𝘚𝘰, 𝘸𝘩𝘦𝘳𝘦 𝘪𝘴 𝘵𝘩𝘦 𝘨𝘢𝘳𝘥𝘦𝘯? Read the full interview on stxdyoz.com and discover more about @lupo.lupo.lupo.lupo on lupo.gallery or visiting them at Corso Buenos Aires 2, Milan. Videos by @violashocking Interview by @gaddoamunni

LET’S ALL MEET UP IN THE YEAR 2000! (Won’t it be strange when we’re all fully grown?) Chloe Cherry, @perfect_angelgirl, is a fearless actress, model, and DJ who’s made waves transitioning from the adult film industry to Hollywood, captivating audiences with her breakout role as Faye on HBO’s Euphoria. Known for her edgy style, bold personality, and unique take on fame, Chloe is unafraid to tackle both unconventional roles and hot-button topics. Off the screen, she’s as vibrant and unpredictable as her character – a self-proclaimed fan of ’00s simplicity, obsessed with Howard Hughes’ eccentricity, and inspired by icons like Zendaya and Natalie Portman. Chloe’s career reflects her diverse passions: from starring in cutting-edge films to spinning hyper-pop and indie tracks as a DJ. She’s a lover of supplements, memes, and all things A24, and could spend hours at the Silver Lake flea market or playing Gasolina on repeat. In her own words, she’s ‘just trying to have a blast,’ and her rebellious spirit and creative drive are helping her redefine what it means to stand out in Hollywood. 𝑪𝒂𝒏 𝒚𝒐𝒖 𝒕𝒆𝒍𝒍 𝒖𝒔 𝒘𝒉𝒚 𝒚𝒐𝒖 𝒄𝒉𝒐𝒔𝒆 𝒕𝒉𝒆 𝒏𝒂𝒎𝒆 𝑪𝒉𝒍𝒐𝒆 𝑪𝒉𝒆𝒓𝒓𝒚? 𝘐’𝘷𝘦 𝘫𝘶𝘴𝘵 𝘢𝘭𝘸𝘢𝘺𝘴 𝘭𝘰𝘷𝘦𝘥 𝘵𝘩𝘦 𝘯𝘢𝘮𝘦 𝘊𝘩𝘭𝘰𝘦. 𝘊𝘩𝘦𝘳𝘳𝘺 𝘤𝘢𝘮𝘦 𝘧𝘳𝘰𝘮 𝘰𝘯𝘦 𝘥𝘢𝘺 𝘐 𝘸𝘢𝘴 𝘢𝘵 𝘵𝘩𝘦 𝘧𝘢𝘳𝘮𝘦𝘳𝘴 𝘮𝘢𝘳𝘬𝘦𝘵 𝘢𝘯𝘥 𝘐 𝘸𝘢𝘴 𝘭𝘰𝘰𝘬𝘪𝘯𝘨 𝘢𝘵 𝘵𝘩𝘦 𝘴𝘵𝘶𝘧𝘧 𝘢𝘯𝘥 𝘵𝘩𝘪𝘯𝘬𝘪𝘯𝘨 𝘢𝘣𝘰𝘶𝘵 𝘧𝘰𝘰𝘥 𝘢𝘯𝘥 𝘐 𝘸𝘢𝘯𝘵𝘦𝘥 𝘢 𝘊 𝘯𝘢𝘮𝘦 𝘢𝘯𝘥 𝘐 𝘵𝘩𝘰𝘶𝘨𝘩𝘵 “𝘊𝘩𝘭𝘰𝘦 𝘊𝘢𝘳𝘳𝘰𝘵𝘴, 𝘊𝘩𝘭𝘰𝘦 𝘊𝘳è𝘮𝘦 𝘉𝘳û𝘭é𝘦, 𝘊𝘩𝘭𝘰𝘦 𝘊𝘶𝘱𝘤𝘢𝘬𝘦, 𝘊𝘩𝘭𝘰𝘦 𝘊𝘩𝘦𝘳𝘳𝘺…?” 𝘈𝘯𝘥 𝘐 𝘸𝘦𝘯𝘵 𝘸𝘪𝘵𝘩 𝘊𝘩𝘭𝘰𝘦 𝘊𝘩𝘦𝘳𝘳𝘺 𝘣𝘦𝘤𝘢𝘶𝘴𝘦 𝘮𝘺 𝘢𝘨𝘦𝘯𝘵 𝘢𝘵 𝘵𝘩𝘦 𝘵𝘪𝘮𝘦 𝘧𝘰𝘳 𝘴𝘰𝘮𝘦 𝘳𝘦𝘢𝘴𝘰𝘯 𝘴𝘢𝘪𝘥 𝘵𝘩𝘦 𝘰𝘵𝘩𝘦𝘳𝘴 𝘸𝘦𝘳𝘦 𝘴𝘵𝘶𝘱𝘪𝘥 Read the full interview by @nicolomichielin on our TIME ISSUE No.03 and on 🔗stxdyoz.com Photography @alyssakazew Styling @tabitharsanchez Art direction & Creative production @fabiopace_ Hair gregglennonjr @theonly.agency Make up @robrumseymua @aframe_agency Photo assistant #WillKoning Styling assistant @jessmcatee Casting director @adzybrowne @sixwolvescasting

PERCEIVING IN A REALM BEYOND TIME WITH ARIANA PAPADEMETROPOULOS @arianapapademetropoulos is a Los Angeles-based artist known for her surreal, dreamlike paintings filled with unique inscrutable magical symbology, for her solo exhibition “Ringing Saturn” at @massimodecarlogallery we asked her about psychic-mediums, symbology and her masters. “𝘞𝘦𝘯𝘥𝘺 𝘪𝘴 𝘵𝘩𝘦 𝘰𝘯𝘭𝘺 𝘗𝘴𝘺𝘤𝘩𝘪𝘤 𝘐 𝘩𝘢𝘷𝘦 𝘢 𝘳𝘦𝘭𝘢𝘵𝘪𝘰𝘯𝘴𝘩𝘪𝘱 𝘸𝘪𝘵𝘩, 𝘢𝘯𝘥 𝘤𝘦𝘳𝘵𝘢𝘪𝘯𝘭𝘺 𝘵𝘩𝘦 𝘰𝘯𝘭𝘺 𝘰𝘯𝘦 𝘐’𝘷𝘦 𝘦𝘹𝘱𝘦𝘳𝘪𝘦𝘯𝘤𝘦𝘥 𝘵𝘰 𝘵𝘩𝘢𝘵 𝘦𝘯𝘵𝘦𝘳 𝘮𝘺 𝘱𝘢𝘪𝘯𝘵𝘪𝘯𝘨 𝘧𝘪𝘦𝘭𝘥. 𝘉𝘦𝘤𝘢𝘶𝘴𝘦 𝘞𝘦𝘯𝘥𝘺 𝘪𝘴 𝘢𝘯 𝘢𝘳𝘵𝘪𝘴𝘵 𝘩𝘦𝘳𝘴𝘦𝘭𝘧, 𝘐 𝘣𝘦𝘭𝘪𝘦𝘷𝘦 𝘴𝘩𝘦 𝘩𝘢𝘴 𝘢 𝘴𝘦𝘯𝘴𝘪𝘵𝘪𝘷𝘪𝘵𝘺 𝘵𝘰 𝘴𝘦𝘦𝘪𝘯𝘨 𝘢𝘳𝘵𝘪𝘴𝘵𝘴 𝘸𝘰𝘳𝘭𝘥𝘴. 𝘋𝘶𝘳𝘪𝘯𝘨 𝘰𝘶𝘳 𝘳𝘦𝘢𝘥𝘪𝘯𝘨𝘴, 𝘴𝘩𝘦 𝘸𝘰𝘶𝘭𝘥 𝘣𝘦𝘨𝘪𝘯 𝘵𝘰 𝘥𝘦𝘴𝘤𝘳𝘪𝘣𝘦 𝘵𝘩𝘦 𝘸𝘰𝘳𝘬 𝘵𝘩𝘢𝘵 𝘐 𝘸𝘢𝘴 𝘵𝘩𝘪𝘯𝘬𝘪𝘯𝘨 𝘢𝘣𝘰𝘶𝘵- 𝘢𝘯𝘥 𝘐 𝘧𝘰𝘶𝘯𝘥 𝘵𝘩𝘪𝘴 𝘧𝘢𝘴𝘤𝘪𝘯𝘢𝘵𝘪𝘯𝘨. 𝘞𝘦𝘯𝘥𝘺’𝘴 𝘪𝘯𝘵𝘦𝘳𝘦𝘴𝘵 𝘪𝘯 𝘲𝘶𝘢𝘯𝘵𝘶𝘮 𝘵𝘩𝘦𝘰𝘳𝘺 𝘪𝘯𝘧𝘭𝘶𝘦𝘯𝘤𝘦𝘴 𝘩𝘦𝘳 𝘱𝘦𝘳𝘴𝘱𝘦𝘤𝘵𝘪𝘷𝘦; 𝘴𝘩𝘦 𝘥𝘦𝘴𝘤𝘳𝘪𝘣𝘦𝘴 𝘮𝘺 𝘸𝘰𝘳𝘬 𝘢𝘴 𝘪𝘧 𝘪𝘵 𝘢𝘭𝘳𝘦𝘢𝘥𝘺 𝘦𝘹𝘪𝘴𝘵𝘴, 𝘱𝘦𝘳𝘤𝘦𝘪𝘷𝘪𝘯𝘨 𝘪𝘵 𝘪𝘯 𝘢 𝘳𝘦𝘢𝘭𝘮 𝘣𝘦𝘺𝘰𝘯𝘥 𝘵𝘪𝘮𝘦, 𝘪𝘯 𝘸𝘩𝘢𝘵 𝘴𝘩𝘦 𝘤𝘢𝘭𝘭𝘴 “𝘯𝘰 𝘵𝘪𝘮𝘦”. 𝘠𝘰𝘶 𝘢𝘯𝘥 𝘐 𝘦𝘹𝘪𝘴𝘵 𝘪𝘯 𝘵𝘩𝘦 𝘭𝘪𝘯𝘦𝘢𝘳 𝘸𝘰𝘳𝘭𝘥, 𝘣𝘶𝘵 𝘴𝘩𝘦 𝘤𝘢𝘯 𝘴𝘦𝘦 𝘪𝘯𝘵𝘰 𝘢 𝘸𝘰𝘳𝘭𝘥 𝘸𝘪𝘵𝘩𝘰𝘶𝘵 𝘵𝘪𝘮𝘦, 𝘢 𝘸𝘰𝘳𝘭𝘥 𝘸𝘩𝘦𝘳𝘦 𝘵𝘩𝘦 𝘸𝘰𝘳𝘬 𝘐 𝘦𝘯𝘷𝘪𝘴𝘪𝘰𝘯𝘦𝘥 𝘪𝘴 𝘢𝘭𝘳𝘦𝘢𝘥𝘺 𝘮𝘢𝘵𝘦𝘳𝘪𝘢𝘭𝘪𝘻𝘦𝘥. 𝘐 𝘣𝘦𝘭𝘪𝘦𝘷𝘦 𝘵𝘩𝘪𝘴 𝘤𝘰𝘭𝘭𝘢𝘣𝘰𝘳𝘢𝘵𝘪𝘰𝘯 𝘤𝘰𝘶𝘭𝘥 𝘴𝘦𝘳𝘷𝘦 𝘢𝘴 𝘦𝘷𝘪𝘥𝘦𝘯𝘤𝘦 𝘰𝘧 𝘵𝘩𝘦 𝘶𝘯𝘴𝘦𝘦𝘯 𝘸𝘰𝘳𝘭𝘥.” Check the full interview “𝘗𝘌𝘙𝘊𝘌𝘐𝘝𝘐𝘕𝘎 𝘐𝘕 𝘈 𝘙𝘌𝘈𝘓𝘔 𝘉𝘌𝘠𝘖𝘕𝘋 𝘛𝘐𝘔𝘌 𝘞𝘐𝘛𝘏 𝘈𝘙𝘐𝘈𝘕𝘈 𝘗𝘈𝘗𝘈𝘋𝘌𝘔𝘌𝘛𝘙𝘖𝘗𝘖𝘜𝘓𝘖𝘚” by @leone.solia & @variantino on 🔗stxdyoz.com Images shot by @simon171

HEADS TOGETHER: THE ART BEHIND WEED & THE UNDERGROUND PRESS SYNDICATE The art in Heads Together speaks to a time when pot was smoked with optimism — as something potentially good for society and people, capable of activating profound transformation in the face of corrupt and powerful forces. Now, as pot fast-tracks toward full legalization in the U.S. and beyond, its once incendiary status is brought into relief. Pot’s profiteers in the corporate market today do not reflect those who fought for legalization, or the Black and Latino populations strategically criminalized in America for pot well before hippies were targeted, and long after. The protest movement and counterculture of the sixties was fed by one of the greatest booms in publishing history. The Underground Press Syndicate (UPS) began as a loose confederation of five American papers in 1966, and within a few years swelled to over 500 across the world, reaching millions of readers. They “spread like weed,” said Tom Forcade, the UPS director, weed-dealer, and eventual founder of High Times. The metaphor was apt: the UPS spurred the legalization movement, and weed became its totem. Weed was so pervasive it also became a helpful means for government agencies to crack down on the UPS — just bust into an editorial office and frisk the staff. These tactics meant activist groups adopted weed as an emblem of resistance. Weed would permeate UPS pages, with gaps in text crammed with weed-inspired “spot illustrations,” and it added a touch of flair to the mastheads of UPS titles. Heads Together collects these drawings, shining a light on lesser-known names in the stoner-art canon, and many who literally weren’t names at all, as no signature was attached to their illustration. Check the full extract from 𝘏𝘦𝘢𝘥𝘴 𝘛𝘰𝘨𝘦𝘵𝘩𝘦𝘳: 𝘞𝘦𝘦𝘥 𝘢𝘯𝘥 𝘵𝘩𝘦 𝘜𝘯𝘥𝘦𝘳𝘨𝘳𝘰𝘶𝘯𝘥 𝘗𝘳𝘦𝘴𝘴 𝘚𝘺𝘯𝘥𝘪𝘤𝘢𝘵𝘦 1965-1973 (published by @editionpatrickfrey ) written for XYZ by his author @kramercedesbenz on 🔗stxdyoz.com

THE ETERNAL SPRING OF MAGICAL MYSTERY GARDEN Magical Mystery Garden is a whimsical simulacrum of nature, a complex digital ecosystem that explores the relationship between plants and the digital realm. It questions and challenges our mundane perception and experience of the naturescape by communicating with psychedelia, semiotics, the folk and the cyber. It is a locus amoenus built of virtual moss and meta fungi, with connotations of Eden that evoke the wish of an eternal spring. It is a vehicle to explore the hybridization of botanics together with the impact of A.I. on gardening in metaphysical reality. “𝘉𝘦𝘪𝘯𝘨 𝘢𝘭𝘪𝘷𝘦 𝘪𝘴 𝘵𝘩𝘦 𝘔𝘢𝘨𝘪𝘤- 𝘣𝘦𝘪𝘯𝘨 𝘴𝘵𝘳𝘰𝘯𝘨 𝘪𝘴 𝘵𝘩𝘦 𝘔𝘢𝘨𝘪𝘤. 𝘛𝘩𝘦 𝘔𝘢𝘨𝘪𝘤 𝘪𝘴 𝘪𝘯 𝘮𝘦- 𝘵𝘩𝘦 𝘔𝘢𝘨𝘪𝘤 𝘪𝘴 𝘪𝘯 𝘮𝘦. 𝘈𝘯𝘥 𝘵𝘩𝘦 𝘴𝘦𝘤𝘳𝘦𝘵 𝘨𝘢𝘳𝘥𝘦𝘯 𝘣𝘭𝘰𝘰𝘮𝘦𝘥 𝘢𝘯𝘥 𝘣𝘭𝘰𝘰𝘮𝘦𝘥 𝘢𝘯𝘥 𝘦𝘷𝘦𝘳𝘺 𝘮𝘰𝘳𝘯𝘪𝘯𝘨 𝘳𝘦𝘷𝘦𝘢𝘭𝘦𝘥 𝘯𝘦𝘸 𝘮𝘪𝘳𝘢𝘤𝘭𝘦𝘴.” Read the full article on 🔗stxdyoz.com Words by @victoria_genzini Art Direction by @darkness_retreat Pictures by @_gfaz Lights by @roxyceron____ Set Up by @themosshelter @marcocesari @roxyceron____ @tulliograni @nix.denkend

@ivana_basic is a Serbian (Yugoslavian-born) artist based in New York. Through the use of glass, metal, and wax she proposes a new representation of the human-non-human figure in a post-anthropocentric perspective, questioning our views about the fragility of flesh during a transitional state, proposing a research for an Ulterior as an alternative to the tragedy of the human condition. @abrax.asss is an Italian digital-collagist currently based in Milan and he mediated for us with Ivana Bašić in an effort to dissect some themes at the core of her artistic production, such as spirituality, disembodiment, and technology, helping us understand how we can approach them trough trans-humanistic perspective. "𝘎𝘳𝘰𝘸𝘪𝘯𝘨 𝘶𝘱 𝘥𝘶𝘳𝘪𝘯𝘨 𝘵𝘩𝘦 𝘤𝘰𝘭𝘭𝘢𝘱𝘴𝘦 𝘰𝘧 𝘠𝘶𝘨𝘰𝘴𝘭𝘢𝘷𝘪𝘢 𝘮𝘦𝘢𝘯𝘵 𝘭𝘪𝘷𝘪𝘯𝘨 𝘵𝘩𝘳𝘰𝘶𝘨𝘩 𝘢 𝘭𝘰𝘴𝘴 𝘵𝘩𝘢𝘵 𝘸𝘢𝘴 𝘣𝘰𝘵𝘩 𝘪𝘥𝘦𝘰𝘭𝘰𝘨𝘪𝘤𝘢𝘭, 𝘴𝘱𝘪𝘳𝘪𝘵𝘶𝘢𝘭, 𝘢𝘯𝘥 𝘱𝘩𝘺𝘴𝘪𝘤𝘢𝘭. 𝘐 𝘵𝘩𝘪𝘯𝘬 𝘵𝘩𝘪𝘴 𝘭𝘰𝘴𝘴 𝘪𝘴 𝘷𝘦𝘳𝘺 𝘮𝘶𝘤𝘩 𝘱𝘳𝘦𝘴𝘦𝘯𝘵 𝘪𝘯 𝘮𝘺 𝘸𝘰𝘳𝘬. 𝘛𝘩𝘦𝘳𝘦 𝘪𝘴 𝘢 𝘭𝘰𝘵 𝘰𝘧 𝘤𝘢𝘳𝘦, 𝘢𝘯𝘥 𝘢 𝘭𝘰𝘵 𝘰𝘧 𝘵𝘦𝘯𝘥𝘦𝘳𝘯𝘦𝘴𝘴 𝘪𝘯 𝘮𝘺 𝘱𝘪𝘦𝘤𝘦𝘴, 𝘣𝘶𝘵 𝘢𝘭𝘴𝘰 𝘢 𝘭𝘰𝘵 𝘰𝘧 𝘷𝘪𝘰𝘭𝘦𝘯𝘤𝘦 𝘪𝘯𝘧𝘭𝘪𝘤𝘵𝘦𝘥 𝘶𝘱𝘰𝘯 𝘵𝘩𝘦 𝘧𝘪𝘨𝘶𝘳𝘦𝘴. 𝘉𝘦𝘪𝘯𝘨 𝘦𝘹𝘱𝘰𝘴𝘦𝘥 𝘵𝘰 𝘷𝘪𝘰𝘭𝘦𝘯𝘤𝘦 𝘢𝘯𝘥 𝘣𝘳𝘶𝘵𝘢𝘭𝘪𝘵𝘺 𝘴𝘰 𝘦𝘢𝘳𝘭𝘺 𝘰𝘯 𝘮𝘢𝘥𝘦 𝘷𝘪𝘴𝘪𝘣𝘭𝘦 𝘵𝘩𝘦 𝘧𝘳𝘢𝘨𝘪𝘭𝘪𝘵𝘺 𝘰𝘧 𝘭𝘪𝘧𝘦, 𝘢𝘯𝘥 𝘰𝘶𝘳 𝘥𝘦𝘱𝘦𝘯𝘥𝘦𝘯𝘤𝘦 𝘰𝘯 𝘵𝘩𝘦 𝘮𝘢𝘵𝘦𝘳𝘪𝘢𝘭 𝘤𝘰𝘯𝘥𝘪𝘵𝘪𝘰𝘯, 𝘰𝘶𝘳 𝘧𝘭𝘦𝘴𝘩 𝘢𝘯𝘥 𝘰𝘶𝘳 𝘣𝘭𝘰𝘰𝘥." Read the full interview on 🔗stxdyoz.com

"THAT'S HOW I GOT INTO N*ZI AND DR*GS" - AN INTERVIEW WITH NORMAN OHLER @normanohler , the author who investigated and uncovered the secret relationship between N*zi Germany and dr*gs, interviewed by @francisdelacroixstudio and @asvpxjobs on Dennis Hopper, The Beatles and LSD. Read the full interview on stxdyoz.com Photography by @francisdelacroixstudio Edited by Louise de Wohl

@hg.lf presents: A Call to Dreamers of Fallen Systems, a resonant cry from the depths of contemporary society and a nomadic manifesto for those who dare to envision a reality beyond the ruins. In a world fractured by inequality, HG/LF stands as a bastion of dissent, championing a vision that transcends fashion to embrace a cultural and spiritual revolution. 𝘞𝘦 𝘮𝘶𝘴𝘵 𝘶𝘯𝘪𝘵𝘦 𝘪𝘯𝘴𝘦𝘤𝘵𝘴, 𝘳𝘢𝘵𝘴, 𝘸𝘰𝘭𝘷𝘦𝘴, 𝘦𝘢𝘨𝘭𝘦𝘴, 𝘵𝘳𝘦𝘦𝘴, 𝘧𝘭𝘪𝘦𝘴 𝘞𝘦 𝘮𝘶𝘴𝘵 𝘴𝘤𝘳𝘦𝘢𝘮 𝘧𝘳𝘰𝘮 𝘵𝘩𝘦 𝘱𝘺𝘳𝘢𝘮𝘪𝘥’𝘴 𝘣𝘢𝘴𝘦, 𝘤𝘶𝘳𝘴𝘦 𝘵𝘩𝘦 𝘢𝘱𝘦𝘹 𝘢𝘯𝘥 𝘴𝘩𝘢𝘬𝘦 𝘵𝘩𝘦 𝘤𝘭𝘰𝘶𝘥𝘦𝘥, 𝘣𝘭𝘰𝘤𝘬𝘦𝘥 𝘤𝘰𝘯𝘴𝘤𝘪𝘦𝘯𝘤𝘦𝘴 𝘰𝘧 𝘵𝘩𝘦 𝘸𝘦𝘢𝘬𝘦𝘴𝘵 𝘸𝘩𝘰 𝘣𝘺 𝘮𝘪𝘴𝘵𝘢𝘬𝘦 𝘩𝘢𝘷𝘦 𝘧𝘰𝘶𝘯𝘥 𝘵𝘩𝘦𝘮𝘴𝘦𝘭𝘷𝘦𝘴 𝘢𝘴 𝘧𝘰𝘦𝘴. 𝘞𝘦 𝘮𝘶𝘴𝘵 𝘶𝘯𝘪𝘵𝘦 𝘪𝘯𝘴𝘦𝘤𝘵𝘴, 𝘨𝘪𝘳𝘢𝘧𝘧𝘦𝘴, 𝘦𝘭𝘦𝘱𝘩𝘢𝘯𝘵𝘴, 𝘤𝘩𝘪𝘭𝘥𝘳𝘦𝘯, 𝘴𝘸𝘢𝘭𝘭𝘰𝘸𝘴. 𝘞𝘦 𝘮𝘶𝘴𝘵 𝘵𝘦𝘭𝘭 𝘵𝘩𝘦 𝘸𝘰𝘳𝘭𝘥 𝘰𝘧 𝘢 𝘱𝘰𝘴𝘴𝘪𝘣𝘭𝘦 𝘦𝘹𝘪𝘴𝘵𝘦𝘯𝘤𝘦, 𝘢 𝘸𝘰𝘳𝘭𝘥 𝘰𝘧 𝘮𝘶𝘭𝘵𝘪𝘵𝘶𝘥𝘦𝘴 𝘢𝘯𝘥 𝘰𝘧 𝘭𝘰𝘷𝘦 𝘪𝘯 𝘢𝘣𝘶𝘯𝘥𝘢𝘯𝘤𝘦. A Call to Dreamers of Fallen Systems is an invitation to action, urging the creation of a subversive imagination that rejects the dominant order. Check the full gallery and manifesto on stxdyoz.com Photography by @eric.persona and @aria.profumata

This photograph, captured one afternoon in Rome by the revolutionary photographer and artist @benassijacopo , pays homage to a cover of 1977 from Re Nudo, which was Italy’s leading countercultural magazine. In this work , we have chosen to feature Giorgio Quarzo Guarascio, better known as @tutti.fenomeni , one of the few figures in Italy worthy of the title of singer-songwriter. Because Giorgio Quarzo Guarascio is a poet with a microphone in hand, STXDYOZ has invited him to write a poem for TIME issue no.03 𝗧𝗶𝗺𝗲 𝗹𝗼𝘀𝘁 𝗶𝘀 𝘁𝗶𝗺𝗲 𝗴𝗮𝗶𝗻𝗲𝗱 𝘛𝘩𝘦 𝘮𝘰𝘴𝘵 𝘴𝘦𝘥𝘶𝘤𝘵𝘪𝘷𝘦 𝘤𝘩𝘰𝘪𝘤𝘦 𝘪𝘴 𝘵𝘩𝘦 𝘭𝘦𝘢𝘴𝘵 𝘱𝘳𝘰𝘥𝘶𝘤𝘵𝘪𝘷𝘦, 𝘸𝘩𝘪𝘤𝘩 𝘪𝘴 𝘸𝘩𝘺 𝘵𝘩𝘦 𝘨𝘰𝘰𝘥-𝘭𝘰𝘰𝘬𝘪𝘯𝘨 𝘢𝘭𝘮𝘰𝘴𝘵 𝘯𝘦𝘷𝘦𝘳 𝘵𝘩𝘪𝘯𝘬 𝘢𝘣𝘰𝘶𝘵 𝘥𝘦𝘢𝘵𝘩.
𝘛𝘩𝘦 𝘩𝘶𝘮𝘢𝘯 𝘤𝘰𝘯𝘥𝘪𝘵𝘪𝘰𝘯 𝘪𝘴 𝘢𝘭𝘸𝘢𝘺𝘴 𝘵𝘩𝘦 𝘴𝘢𝘮𝘦: 𝘪𝘵 𝘩𝘢𝘱𝘱𝘦𝘯𝘴 𝘵𝘰 𝘥𝘪𝘴𝘢𝘱𝘱𝘦𝘢𝘳….
𝘛𝘪𝘮𝘦 𝘪𝘴 𝘭𝘪𝘬𝘦 𝘢 𝘬𝘪𝘭𝘭𝘦𝘳!
𝘐𝘵 𝘪𝘴 𝘪𝘮𝘱𝘰𝘳𝘵𝘢𝘯𝘵 𝘵𝘰 𝘮𝘢𝘬𝘦 𝘢 𝘸𝘪𝘭𝘭, 𝘦𝘷𝘦𝘯 𝘸𝘪𝘵𝘩𝘰𝘶𝘵 𝘢 𝘯𝘰𝘵𝘢𝘳𝘺 𝘱𝘰𝘴𝘴𝘪𝘣𝘭𝘺 𝘪𝘯 𝘥𝘶𝘱𝘭𝘪𝘤𝘢𝘵𝘦,
𝘩𝘢𝘯𝘥𝘸𝘳𝘪𝘵𝘵𝘦𝘯,
𝘩𝘪𝘥𝘥𝘦𝘯 𝘣𝘶𝘵 𝘧𝘪𝘯𝘥𝘢𝘣𝘭𝘦.
𝘖𝘭𝘥 𝘱𝘦𝘰𝘱𝘭𝘦 𝘸𝘪𝘭𝘭 𝘵𝘦𝘢𝘤𝘩 𝘤𝘩𝘪𝘭𝘥𝘳𝘦𝘯 𝘢𝘣𝘰𝘶𝘵 𝘵𝘪𝘮𝘦, 𝘢 𝘭𝘦𝘨𝘢𝘤𝘺 𝘯𝘰𝘵 𝘵𝘰 𝘣𝘦 𝘧𝘰𝘶𝘯𝘥 𝘪𝘯 𝘣𝘰𝘰𝘬𝘴, 𝘯𝘰𝘵 𝘱𝘳𝘰𝘫𝘦𝘤𝘵𝘦𝘥 𝘰𝘯 𝘴𝘤𝘳𝘦𝘦𝘯𝘴.
𝘈𝘯𝘥 𝘵𝘩𝘦𝘯…
𝘴𝘶𝘣𝘭𝘪𝘮𝘢𝘵𝘦 𝘯𝘰𝘤𝘵𝘶𝘳𝘯𝘢𝘭 𝘦𝘳𝘦𝘤𝘵𝘪𝘰𝘯𝘴 𝘸𝘪𝘵𝘩 𝘱𝘰𝘦𝘮𝘴 𝘢𝘯𝘥 𝘴𝘶𝘪𝘤𝘪𝘥𝘢𝘭 𝘪𝘮𝘱𝘶𝘭𝘴𝘦𝘴 𝘸𝘪𝘵𝘩 𝘦𝘳𝘦𝘤𝘵𝘪𝘰𝘯𝘴. Check the complete article on 🔗stxdyoz.com Photography by @benassijacopo Creative direction by @asvpxjobs

I WILL START A REVOLUTION FROM MY BED! @maltoni and @ronnie_hart draw tones à la Nabokov where @a.frlns becomes the image of the post-digital age and retrotopia for our TIME issue no.03 Watch the full gallery on 🔗stxdyoz.com Photography @maltoni Talent @a.frins @nurmodelmgt Styling @ronnie_hart Hair @fabiopetri @thewallgroup Make up @hugo_villard @callisteagency Production @galeanemv Set design @cyrus.w.r

Family reunited for our RENDEZ-VOUS, party co-hosted with @stxdyoz. A huge thank you to everyone who joined us for this incredible celebration of music. We hope you had an amazing time—because we sure did! This is just the beginning. More is yet to come!