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Thank you Maya Kotomori for your thoughtful words on Sucking Salt's exhibition 'Modeling Ecologies: Take Care'.⁠
⁠
'...'Modeling Ecologies' creates a symbology of home by using the nuance of Caribbean architecture to recontextualize a traditional notion of landscape; home is a constructed idea as much as it can be a physical construction in conversation with a natural landscape. The exhibition considers the material, social, political, and ecological aspects that go into this construction of both place and idea, centering the Caribbean as a terrain where built environments and preexisting ecologies collide...'⁠
⁠
The exhibition is on view through December 21⁠
⁠
Link to full article in bio⁠
⁠
@documentjournal⁠
@utilitiesnotincluded
Thank you Maya Kotomori for your thoughtful words on Sucking Salt's exhibition 'Modeling Ecologies: Take Care'.⁠ ⁠ '...'Modeling Ecologies' creates a symbology of home by using the nuance of Caribbean architecture to recontextualize a traditional notion of landscape; home is a constructed idea as much as it can be a physical construction in conversation with a natural landscape. The exhibition considers the material, social, political, and ecological aspects that go into this construction of both place and idea, centering the Caribbean as a terrain where built environments and preexisting ecologies collide...'⁠ ⁠ The exhibition is on view through December 21⁠ ⁠ Link to full article in bio⁠ ⁠ @documentjournal@utilitiesnotincluded
71 0 2 days ago
On view in office⁠
⁠
Ethan Means (b. 2001, New York, NY); BFA: Cooper Union for the Advancement of Science and Art. Recent group exhibitions include Ladybug Gallery, Providence, RI (2024) and Entrance, New York, NY (2023).⁠
⁠
Ethan Means⁠
'Fase', 2024⁠
Oil on hardboard with acrylic ground⁠
8 1/4 x 6 1/4 in⁠
⁠
Ethan Means⁠
'Chestplate', 2024⁠
Oil on hardboard with acrylic ground⁠
8 1/4 x 6 1/4 in⁠
⁠
@bestdressedinthelowereastside
On view in office⁠ ⁠ Ethan Means (b. 2001, New York, NY); BFA: Cooper Union for the Advancement of Science and Art. Recent group exhibitions include Ladybug Gallery, Providence, RI (2024) and Entrance, New York, NY (2023).⁠ ⁠ Ethan Means⁠ 'Fase', 2024⁠ Oil on hardboard with acrylic ground⁠ 8 1/4 x 6 1/4 in⁠ ⁠ Ethan Means⁠ 'Chestplate', 2024⁠ Oil on hardboard with acrylic ground⁠ 8 1/4 x 6 1/4 in⁠ ⁠ @bestdressedinthelowereastside
484 11 5 days ago
On view⁠
⁠
Sucking Salt & revisions present:⁠
'Modeling Ecologies: Take Care'⁠
⁠
With works by Deborah Anzinger, Ibiyanε, Gwladys Gambie, Shani Strand, Zenobia⁠
⁠
Curated by Sienna Fekete⁠
⁠
On view through December 21, 2024⁠
⁠
48 Ludlow St.⁠
New York, NY ⁠10002⁠ ⁠
⁠
Hosted by the research project 'Sucking Salt' and supported by 'revisions', this exhibition hopes to nurture discourse around architectures of the Caribbean. From the Bahamas to Trinidad and Tobago, the expanse of its contents consider some of the built heritages of the Caribbean’s particular material, social, and political landscapes across various scales of thinking. Working through and with the concept of architectures, “Modeling Ecologies: Take Care” poses the built environment as an ​​infrastructure for social relations that is inextricable from its ecological context. Acknowledging the archive as but one expression of an otherwise inexpressible past, architectures in the plural also helps us to reflect on Architecture itself as a set of relationships between socialities, landscapes, and ecosystems. This exhibition contains a wallpaper installation alongside a library of referential texts from Sucking Salt, sculptures commissioned for the occasion by Ibiyanε and Gwladys Gambie, and a film by Deborah Anzinger.⁠
⁠
⁠
@sucking.salt⁠
@rearc.institute⁠
@foxybrownfastcar⁠
@zenobialee_⁠
@siii_siii⁠
@ibiyane⁠
@afrodite_glad
On view⁠ ⁠ Sucking Salt & revisions present:⁠ 'Modeling Ecologies: Take Care'⁠ ⁠ With works by Deborah Anzinger, Ibiyanε, Gwladys Gambie, Shani Strand, Zenobia⁠ ⁠ Curated by Sienna Fekete⁠ ⁠ On view through December 21, 2024⁠ ⁠ 48 Ludlow St.⁠ New York, NY ⁠10002⁠ ⁠ ⁠ Hosted by the research project 'Sucking Salt' and supported by 'revisions', this exhibition hopes to nurture discourse around architectures of the Caribbean. From the Bahamas to Trinidad and Tobago, the expanse of its contents consider some of the built heritages of the Caribbean’s particular material, social, and political landscapes across various scales of thinking. Working through and with the concept of architectures, “Modeling Ecologies: Take Care” poses the built environment as an ​​infrastructure for social relations that is inextricable from its ecological context. Acknowledging the archive as but one expression of an otherwise inexpressible past, architectures in the plural also helps us to reflect on Architecture itself as a set of relationships between socialities, landscapes, and ecosystems. This exhibition contains a wallpaper installation alongside a library of referential texts from Sucking Salt, sculptures commissioned for the occasion by Ibiyanε and Gwladys Gambie, and a film by Deborah Anzinger.⁠ ⁠ ⁠ @sucking.salt@rearc.institute@foxybrownfastcar@zenobialee_@siii_siii@ibiyane@afrodite_glad
101 1 8 days ago
As part of our coverage for @thesalon.paris by @newartdealers and @thecommunityparis , we spoke with @louisshannonlouisshannon founder of @entrance.nyc one of the most interesting Lower East Side spaces in NYC.

Discover the full interview on nr.world 

Interview @andrea_bratta 
Lizzy Gabay, The Water Statues, 2024. Oil on canvas. Photography @stephenfaught
As part of our coverage for @thesalon.paris by @newartdealers and @thecommunityparis , we spoke with @louisshannonlouisshannon founder of @entrance.nyc one of the most interesting Lower East Side spaces in NYC. Discover the full interview on nr.world Interview @andrea_bratta Lizzy Gabay, The Water Statues, 2024. Oil on canvas. Photography @stephenfaught
3 3 9 days ago
FINAL DAY - NADA Miami 2024
Presenting Chris Lloyd & Nathaniel Matthews 
with an outdoor installation by Pat McCarthy

Booth E104
Ice Palace Studios
1400 N Miami Ave, Miami, FL 33136
December 3 - 7, 2024

This year at NADA Miami, Entrance is proud to present a two-person exhibition featuring artists Chris Lloyd and Nathaniel Matthews. Both artists conduct extensive research into images as symbols, examining their roles as creators of value and culture, multifaceted vessels of metaphor, and the profound effects of mass media on our conscious and unconscious minds.

Through image transfer and the meticulous layering of mediums, both artists reform and re-contextualize symbols and images to craft new narratives. Their compositions reflect in-depth research into both subcultures and mainstream media.

While Lloyd draws heavily from black metal and punk aesthetics, religious iconography, and viral internet phenomena, Matthews incorporates elements from film, historic media moments, and iconic aspects of sports and culture, as well as storied geographical locations.

Matthews’ work positions these moments with a measured, poetic sensibility, facilitating perspective shifts and extending metaphorical resonance. In contrast, Lloyd's hypnotic yet restrained collages imbue personal narrative and storytelling into his constructions, offering a unique exploration of identity and experience.

@nathanielmatthews1
@christianmingle93
@pigeon_pat
FINAL DAY - NADA Miami 2024 Presenting Chris Lloyd & Nathaniel Matthews with an outdoor installation by Pat McCarthy Booth E104 Ice Palace Studios 1400 N Miami Ave, Miami, FL 33136 December 3 - 7, 2024 This year at NADA Miami, Entrance is proud to present a two-person exhibition featuring artists Chris Lloyd and Nathaniel Matthews. Both artists conduct extensive research into images as symbols, examining their roles as creators of value and culture, multifaceted vessels of metaphor, and the profound effects of mass media on our conscious and unconscious minds. Through image transfer and the meticulous layering of mediums, both artists reform and re-contextualize symbols and images to craft new narratives. Their compositions reflect in-depth research into both subcultures and mainstream media. While Lloyd draws heavily from black metal and punk aesthetics, religious iconography, and viral internet phenomena, Matthews incorporates elements from film, historic media moments, and iconic aspects of sports and culture, as well as storied geographical locations. Matthews’ work positions these moments with a measured, poetic sensibility, facilitating perspective shifts and extending metaphorical resonance. In contrast, Lloyd's hypnotic yet restrained collages imbue personal narrative and storytelling into his constructions, offering a unique exploration of identity and experience. @nathanielmatthews1 @christianmingle93 @pigeon_pat
217 4 12 days ago
On View now at NADA Miami 2024

Pat McCarthy

Florida's Nature, 2024
English porcelain, glaze
25 x 18 x 11 in

Pat McCarthy (b. 1987) lives and works in Brooklyn and Andes, New York. McCarthy works primarily in sculpture, zines, and video, as well as staging social happenings, many of which include street food. McCarthy’s work deliberately traverses many mediums and disciplines to explore methods of storytelling. Since 2012, much of his work is executed on his Brooklyn rooftop, engaging with the hundreds of domestic pigeons he is raising and flying.

McCarthy’s work has been presented in institutional exhibitions at Brooklyn Museum, Brooklyn, NY (2023), Brooklyn Botanic Garden, Brooklyn, NY (2022), Manifesta 13, Marseille, FR (2020), MoMA PS1, New York, NY (2018), Middelheim Sculpture Museum, Antwerp, BE (2017), Aperture Foundation, New York, NY (2016), Fonds Régional d'Art Contemporain Sud, Marseille (2016), MoMA, New York, NY (2015). His work is in the collections of MoMA, New York, NY; Fonds Régional d'Art Contemporain, Marseille, FR; Museo Jumex, Mexico City, MX; La Fab, Paris, FR.

@pigeon_pat
@newartdealers
On View now at NADA Miami 2024 Pat McCarthy Florida's Nature, 2024 English porcelain, glaze 25 x 18 x 11 in Pat McCarthy (b. 1987) lives and works in Brooklyn and Andes, New York. McCarthy works primarily in sculpture, zines, and video, as well as staging social happenings, many of which include street food. McCarthy’s work deliberately traverses many mediums and disciplines to explore methods of storytelling. Since 2012, much of his work is executed on his Brooklyn rooftop, engaging with the hundreds of domestic pigeons he is raising and flying. McCarthy’s work has been presented in institutional exhibitions at Brooklyn Museum, Brooklyn, NY (2023), Brooklyn Botanic Garden, Brooklyn, NY (2022), Manifesta 13, Marseille, FR (2020), MoMA PS1, New York, NY (2018), Middelheim Sculpture Museum, Antwerp, BE (2017), Aperture Foundation, New York, NY (2016), Fonds Régional d'Art Contemporain Sud, Marseille (2016), MoMA, New York, NY (2015). His work is in the collections of MoMA, New York, NY; Fonds Régional d'Art Contemporain, Marseille, FR; Museo Jumex, Mexico City, MX; La Fab, Paris, FR. @pigeon_pat @newartdealers
269 1 13 days ago
On view at NADA Miami today

Chris Lloyd⁠
'Resistance is futile' , 2024⁠
Iron-on, acrylic paint, pen on canvas⁠
58 x 38 in⁠
⁠
'Nailed I', 2024⁠
Nails, rope⁠
84 x 16 in⁠

NADA Miami
Ice Palace Studios⁠
1400 N Miami Ave, Miami, FL 33136⁠
December 3 - 7, 2024⁠
Booth E104⁠

Entrance is proud to present a two-person exhibition featuring artists Chris Lloyd and Nathaniel Matthews. Both artists conduct extensive research into images as symbols, examining their roles as creators of value and culture, multifaceted vessels of metaphor, and the profound effects of mass media on our conscious and unconscious minds.⁠
⁠
Both artists engage with image transfer and the fastidious layering of mediums to reform and re-contextualize symbols and images as a means to new narrative ends Their compositions reflect research into subcultures and mainstream media alike. ⁠

Chris Lloyd (b. 1994, Albuquerque, NM) is a multimedia artist based in Brooklyn, NY. Lloyd’s art-making practice re-contextualizes various forms of symbolism and iconography through idiosyncratic techniques of image collection, transfer and use of customized machinery. He plays with themes of nostalgia and personal narrative by manipulating and layering found material. 

Recent solo exhibitions include ‘Pick Your King’ at SPY Projects in L.A., 2024, 'N***** in Gothenburg', NSFW Gallery, Gothenburg, Sweden, 2023, ‘I Against I’ at Soft Opening, 2023, London UK, ‘And The Candles Burned Low, Deep Into The Night’ at Domicile, Tokyo, 2023, 'In Solitude Until The End of Time', Entrance, NYC 2024,. Recent group shows include ‘Unrequited’ at Brooke Alexander Gallery, NYC, 2024, ‘Towards Bethlehem’ at Company, NYC, 2023, ‘At the Center Of My Ironic Faith', Cassandra Cassandra, Toronto, Canada, 2021, 'Everyday Secrets,' Luce Gallery, Torino, Italy, 2021 and 'The Swamp Show, Mundus Press, Northern Massachusetts, 2021, ’Two Birds, One Stone', Gern En Regalia, NYC 2020.

@christianmingle93⁠
On view at NADA Miami today Chris Lloyd⁠ 'Resistance is futile' , 2024⁠ Iron-on, acrylic paint, pen on canvas⁠ 58 x 38 in⁠ ⁠ 'Nailed I', 2024⁠ Nails, rope⁠ 84 x 16 in⁠ NADA Miami Ice Palace Studios⁠ 1400 N Miami Ave, Miami, FL 33136⁠ December 3 - 7, 2024⁠ Booth E104⁠ Entrance is proud to present a two-person exhibition featuring artists Chris Lloyd and Nathaniel Matthews. Both artists conduct extensive research into images as symbols, examining their roles as creators of value and culture, multifaceted vessels of metaphor, and the profound effects of mass media on our conscious and unconscious minds.⁠ ⁠ Both artists engage with image transfer and the fastidious layering of mediums to reform and re-contextualize symbols and images as a means to new narrative ends Their compositions reflect research into subcultures and mainstream media alike. ⁠ Chris Lloyd (b. 1994, Albuquerque, NM) is a multimedia artist based in Brooklyn, NY. Lloyd’s art-making practice re-contextualizes various forms of symbolism and iconography through idiosyncratic techniques of image collection, transfer and use of customized machinery. He plays with themes of nostalgia and personal narrative by manipulating and layering found material. Recent solo exhibitions include ‘Pick Your King’ at SPY Projects in L.A., 2024, 'N***** in Gothenburg', NSFW Gallery, Gothenburg, Sweden, 2023, ‘I Against I’ at Soft Opening, 2023, London UK, ‘And The Candles Burned Low, Deep Into The Night’ at Domicile, Tokyo, 2023, 'In Solitude Until The End of Time', Entrance, NYC 2024,. Recent group shows include ‘Unrequited’ at Brooke Alexander Gallery, NYC, 2024, ‘Towards Bethlehem’ at Company, NYC, 2023, ‘At the Center Of My Ironic Faith', Cassandra Cassandra, Toronto, Canada, 2021, 'Everyday Secrets,' Luce Gallery, Torino, Italy, 2021 and 'The Swamp Show, Mundus Press, Northern Massachusetts, 2021, ’Two Birds, One Stone', Gern En Regalia, NYC 2020. @christianmingle93
349 3 13 days ago
Wine tasting today!⁠
⁠
Entrance will host an outdoor installation by Pat McCarthy, in which five different wines (with and without alcohol) from five vessels will be uncorked and offered for free. Each wine is held in a unique porcelain amphora sculpted by the artist. Each amphora is glazed with a series of photographs narrating the artist's experiences. The works attempt to capture and celebrate the multi-sensorial experience of farming in the lush upstate New York micro-climate. ⁠
⁠
Join in with @pigeon_pat⁠
Thursday December 5, 4pm – 5pm ⁠
Friday December 6, 4pm – 5pm⁠
⁠
Ice Palace Studios⁠
1400 N Miami Ave, Miami, FL 33136⁠
⁠
‘Using a modified black and white copy machine, McCarthy photocopies images, but removes the prints before they go through the “dryer”. The wet photocopies are stamped onto wet porcelain slabs.⁠
⁠
Carefully, the vessels are constructed, slab by slab, taking care not to smear the wet toner images. When hi-fired in a kiln, the black carbon in the toner burns off, but the iron powder present in the toner burns into the clay body, as a permanent red vitrified glaze.⁠
⁠
Each amphorae holds a wine that’s been harvested, crushed, fermented, pressed, and cellared by the artist on his farm. The presentation in Miami will offer a Riesling, a Noiret, a Concord, and two apple juices from two separate orchards that the artist farms.⁠
⁠
These wines are classic expressions of New York terroir. New York is the oldest wine region in North America, although the wines produced there are near entirely consumed within the state...'⁠
⁠
-from 'The Mountain Wine Bar' by Pat McCarthy⁠
⁠
Pat McCarthy (b. 1987) lives and works in Brooklyn and Andes, New York.McCarthy works primarily in sculpture, zines, and video, as well as staging social happenings, many of which include street food. McCarthy’s work deliberately traverses many mediums and disciplines to explore methods of storytelling. Since 2012, much of his work is executed on his Brooklyn rooftop, engaging with the hundreds of domestic pigeons he is raising and flying.⁠
⁠
@pigeon_pat
Wine tasting today!⁠ ⁠ Entrance will host an outdoor installation by Pat McCarthy, in which five different wines (with and without alcohol) from five vessels will be uncorked and offered for free. Each wine is held in a unique porcelain amphora sculpted by the artist. Each amphora is glazed with a series of photographs narrating the artist's experiences. The works attempt to capture and celebrate the multi-sensorial experience of farming in the lush upstate New York micro-climate. ⁠ ⁠ Join in with @pigeon_pat⁠ Thursday December 5, 4pm – 5pm ⁠ Friday December 6, 4pm – 5pm⁠ ⁠ Ice Palace Studios⁠ 1400 N Miami Ave, Miami, FL 33136⁠ ⁠ ‘Using a modified black and white copy machine, McCarthy photocopies images, but removes the prints before they go through the “dryer”. The wet photocopies are stamped onto wet porcelain slabs.⁠ ⁠ Carefully, the vessels are constructed, slab by slab, taking care not to smear the wet toner images. When hi-fired in a kiln, the black carbon in the toner burns off, but the iron powder present in the toner burns into the clay body, as a permanent red vitrified glaze.⁠ ⁠ Each amphorae holds a wine that’s been harvested, crushed, fermented, pressed, and cellared by the artist on his farm. The presentation in Miami will offer a Riesling, a Noiret, a Concord, and two apple juices from two separate orchards that the artist farms.⁠ ⁠ These wines are classic expressions of New York terroir. New York is the oldest wine region in North America, although the wines produced there are near entirely consumed within the state...'⁠ ⁠ -from 'The Mountain Wine Bar' by Pat McCarthy⁠ ⁠ Pat McCarthy (b. 1987) lives and works in Brooklyn and Andes, New York.McCarthy works primarily in sculpture, zines, and video, as well as staging social happenings, many of which include street food. McCarthy’s work deliberately traverses many mediums and disciplines to explore methods of storytelling. Since 2012, much of his work is executed on his Brooklyn rooftop, engaging with the hundreds of domestic pigeons he is raising and flying.⁠ ⁠ @pigeon_pat
118 2 14 days ago
This year at NADA Miami, Entrance is proud to present a two-person exhibition featuring artists Chris Lloyd and Nathaniel Matthews. Both artists conduct extensive research into images as symbols, examining their roles as creators of value and culture, multifaceted vessels of metaphor, and the profound effects of mass media on our conscious and unconscious minds.⁠
⁠
Both artists engage with image transfer and the fastidious layering of mediums to reform and re-contextualize symbols and images as a means to new narrative ends Their compositions reflect research into subcultures and mainstream media alike. ⁠
⁠
While Lloyd draws heavily from black metal and punk aesthetics, religious iconography, and viral internet phenomena, Matthews incorporates elements from film, historic media moments, and iconic aspects of sports and culture, as well as storied geographical locations.⁠
⁠
Matthews’ work positions these moments with a measured, poetic sensibility, facilitating perspective shifts and extending metaphorical resonance. In contrast, Lloyd's hypnotic yet restrained collages imbue personal narrative and storytelling into his constructions, offering a unique exploration of identity and experience.⁠
⁠
Entrance will also host an outdoor installation by Pat McCarthy, in which five different wines (with and without alcohol) from five vessels will be uncorked and offered for free. Each wine is held in a unique porcelain amphora sculpted by the artist. Each amphora is glazed with a series of photographs narrating the artist's experiences. The works attempt to capture and celebrate the multi-sensorial experience of farming in the lush upstate New York micro-climate. Join the beverage tasting with the artist present on Thursday December 5, 4pm – 5pm and Friday December 6, 4pm – 5pm.⁠
⁠
Booth E104⁠
⁠
Ice Palace Studios⁠
1400 N Miami Ave, Miami, FL 33136⁠
December 3 - 7, 2024⁠
⁠
@christianmingle93⁠
@nathanielmatthews1⁠
@pigeon_pat
This year at NADA Miami, Entrance is proud to present a two-person exhibition featuring artists Chris Lloyd and Nathaniel Matthews. Both artists conduct extensive research into images as symbols, examining their roles as creators of value and culture, multifaceted vessels of metaphor, and the profound effects of mass media on our conscious and unconscious minds.⁠ ⁠ Both artists engage with image transfer and the fastidious layering of mediums to reform and re-contextualize symbols and images as a means to new narrative ends Their compositions reflect research into subcultures and mainstream media alike. ⁠ ⁠ While Lloyd draws heavily from black metal and punk aesthetics, religious iconography, and viral internet phenomena, Matthews incorporates elements from film, historic media moments, and iconic aspects of sports and culture, as well as storied geographical locations.⁠ ⁠ Matthews’ work positions these moments with a measured, poetic sensibility, facilitating perspective shifts and extending metaphorical resonance. In contrast, Lloyd's hypnotic yet restrained collages imbue personal narrative and storytelling into his constructions, offering a unique exploration of identity and experience.⁠ ⁠ Entrance will also host an outdoor installation by Pat McCarthy, in which five different wines (with and without alcohol) from five vessels will be uncorked and offered for free. Each wine is held in a unique porcelain amphora sculpted by the artist. Each amphora is glazed with a series of photographs narrating the artist's experiences. The works attempt to capture and celebrate the multi-sensorial experience of farming in the lush upstate New York micro-climate. Join the beverage tasting with the artist present on Thursday December 5, 4pm – 5pm and Friday December 6, 4pm – 5pm.⁠ ⁠ Booth E104⁠ ⁠ Ice Palace Studios⁠ 1400 N Miami Ave, Miami, FL 33136⁠ December 3 - 7, 2024⁠ ⁠ @christianmingle93@nathanielmatthews1@pigeon_pat
313 4 15 days ago
OPENING TODAY⁠
⁠
This year at NADA Miami, Entrance is proud to present a two-person exhibition featuring artists Chris Lloyd and Nathaniel Matthews. Both artists conduct extensive research into images as symbols, examining their roles as creators of value and culture, multifaceted vessels of metaphor, and the profound effects of mass media on our conscious and unconscious minds.⁠
⁠
Entrance will also host an outdoor installation by Pat McCarthy, in which five different wines (with and without alcohol) from five vessels will be uncorked and offered for free. Each wine is held in a unique porcelain amphora sculpted by the artist. Each amphora is glazed with a series of photographs narrating the artist's experiences. The works attempt to capture and celebrate the multi-sensorial experience of farming in the lush upstate New York micro-climate. Join the beverage tasting with the artist present on Thursday December 5, 4pm – 5pm and Friday December 6, 4pm – 5pm.⁠
⁠
Booth E104⁠
⁠
Ice Palace Studios⁠
1400 N Miami Ave, Miami, FL 33136⁠
December 3 - 7, 2024⁠
⁠
Nathaniel Matthews (b. 1991, Staten Island, NY) is an artist who lives and works in Brooklyn, NY. His practice is informed by a history in self-publishing and sub-cultures, and often re-contextualizes symbols within those cultures, and is often led by deep research and reference. Much of his work centers around themes of iconography and idolatry, image manipulation and re-appropriation, class, ritual, fantasy, parody, and peripheral recollection. His past exhibitions include ‘Hard Mod Magazine’ at Printed Matter NYC 2024, ‘Ready For a Night On The Town In My Tuxedo’, 155 Bay Ridge Ave., NY 2021, ‘Original Music Op.1 listening demonstration’, Entrance NYC, 2019.⁠
⁠
Images:⁠
Nathaniel Matthews⁠
'Destructive Opulence (on two panels) No. 4', 2024⁠
Toner transfer, photocopy transfer, oil on wood panel⁠
48 x 36 in
OPENING TODAY⁠ ⁠ This year at NADA Miami, Entrance is proud to present a two-person exhibition featuring artists Chris Lloyd and Nathaniel Matthews. Both artists conduct extensive research into images as symbols, examining their roles as creators of value and culture, multifaceted vessels of metaphor, and the profound effects of mass media on our conscious and unconscious minds.⁠ ⁠ Entrance will also host an outdoor installation by Pat McCarthy, in which five different wines (with and without alcohol) from five vessels will be uncorked and offered for free. Each wine is held in a unique porcelain amphora sculpted by the artist. Each amphora is glazed with a series of photographs narrating the artist's experiences. The works attempt to capture and celebrate the multi-sensorial experience of farming in the lush upstate New York micro-climate. Join the beverage tasting with the artist present on Thursday December 5, 4pm – 5pm and Friday December 6, 4pm – 5pm.⁠ ⁠ Booth E104⁠ ⁠ Ice Palace Studios⁠ 1400 N Miami Ave, Miami, FL 33136⁠ December 3 - 7, 2024⁠ ⁠ Nathaniel Matthews (b. 1991, Staten Island, NY) is an artist who lives and works in Brooklyn, NY. His practice is informed by a history in self-publishing and sub-cultures, and often re-contextualizes symbols within those cultures, and is often led by deep research and reference. Much of his work centers around themes of iconography and idolatry, image manipulation and re-appropriation, class, ritual, fantasy, parody, and peripheral recollection. His past exhibitions include ‘Hard Mod Magazine’ at Printed Matter NYC 2024, ‘Ready For a Night On The Town In My Tuxedo’, 155 Bay Ridge Ave., NY 2021, ‘Original Music Op.1 listening demonstration’, Entrance NYC, 2019.⁠ ⁠ Images:⁠ Nathaniel Matthews⁠ 'Destructive Opulence (on two panels) No. 4', 2024⁠ Toner transfer, photocopy transfer, oil on wood panel⁠ 48 x 36 in
217 4 16 days ago
NADA MIAMI 2024 opens tomorrow! 

Come visit us at Booth E-104

Entrance will host an outdoor installation by Pat McCarthy, in which five different wines (with and without alcohol) from five vessels will be uncorked and offered for free. Each wine is held in a unique porcelain amphora sculpted by the artist. Each amphora is glazed with a series of photographs narrating the artist's experiences. The works attempt to capture and celebrate the multi-sensorial experience of farming in the lush upstate New York micro-climate. 

Join the beverage tasting with @pigeon_pat 
Thursday December 5, 4pm – 5pm 
Friday December 6, 4pm – 5pm

‘Using a modified black and white copy machine, McCarthy photocopies images, but removes the prints before they go through the “dryer”. The wet photocopies are stamped onto wet porcelain slabs.⁠
⁠
Carefully, the vessels are constructed, slab by slab, taking care not to smear the wet toner images. When hi-fired in a kiln, the black carbon in the toner burns off, but the iron powder present in the toner burns into the clay body, as a permanent red vitrified glaze.⁠
⁠
Each amphorae holds a wine that’s been harvested, crushed, fermented, pressed, and cellared by the artist on his farm. The presentation in Miami will offer a Riesling, a Noiret, a Concord, and two apple juices from two separate orchards that the artist farms.⁠
⁠
These wines are classic expressions of New York terroir. New York is the oldest wine region in North America, although the wines produced there are near entirely consumed within the state...'⁠
⁠
-'The Mountain Wine Bar'
⁠
Pat McCarthy (b. 1987) lives and works in Brooklyn and Andes, New York.McCarthy works primarily in sculpture, zines, and video, as well as staging social happenings, many of which include street food. McCarthy’s work deliberately traverses many mediums and disciplines to explore methods of storytelling. Since 2012, much of his work is executed on his Brooklyn rooftop, engaging with the hundreds of domestic pigeons he is raising and flying.⁠
⁠
Images: ⁠
Pat McCarthy
Spit Bucket, 2024
Photocopier toner fired onto English porcelain, gold leaf, waterweld
17 1/2 x 12 x 10 in
44.5 x 30.5 x 25.4 cm
NADA MIAMI 2024 opens tomorrow! Come visit us at Booth E-104 Entrance will host an outdoor installation by Pat McCarthy, in which five different wines (with and without alcohol) from five vessels will be uncorked and offered for free. Each wine is held in a unique porcelain amphora sculpted by the artist. Each amphora is glazed with a series of photographs narrating the artist's experiences. The works attempt to capture and celebrate the multi-sensorial experience of farming in the lush upstate New York micro-climate. Join the beverage tasting with @pigeon_pat Thursday December 5, 4pm – 5pm Friday December 6, 4pm – 5pm ‘Using a modified black and white copy machine, McCarthy photocopies images, but removes the prints before they go through the “dryer”. The wet photocopies are stamped onto wet porcelain slabs.⁠ ⁠ Carefully, the vessels are constructed, slab by slab, taking care not to smear the wet toner images. When hi-fired in a kiln, the black carbon in the toner burns off, but the iron powder present in the toner burns into the clay body, as a permanent red vitrified glaze.⁠ ⁠ Each amphorae holds a wine that’s been harvested, crushed, fermented, pressed, and cellared by the artist on his farm. The presentation in Miami will offer a Riesling, a Noiret, a Concord, and two apple juices from two separate orchards that the artist farms.⁠ ⁠ These wines are classic expressions of New York terroir. New York is the oldest wine region in North America, although the wines produced there are near entirely consumed within the state...'⁠ ⁠ -'The Mountain Wine Bar' ⁠ Pat McCarthy (b. 1987) lives and works in Brooklyn and Andes, New York.McCarthy works primarily in sculpture, zines, and video, as well as staging social happenings, many of which include street food. McCarthy’s work deliberately traverses many mediums and disciplines to explore methods of storytelling. Since 2012, much of his work is executed on his Brooklyn rooftop, engaging with the hundreds of domestic pigeons he is raising and flying.⁠ ⁠ Images: ⁠ Pat McCarthy Spit Bucket, 2024 Photocopier toner fired onto English porcelain, gold leaf, waterweld 17 1/2 x 12 x 10 in 44.5 x 30.5 x 25.4 cm
148 1 17 days ago
This year at NADA Miami, Entrance is proud to present a two-person exhibition featuring artists Chris Lloyd and Nathaniel Matthews. Both artists conduct extensive research into images as symbols, examining their roles as creators of value and culture, multifaceted vessels of metaphor, and the profound effects of mass media on our conscious and unconscious minds.⁠
⁠
Both artists engage with image transfer and the fastidious layering of⁠ mediums to reform and re-contextualize symbols and images as a means to⁠
new narrative ends Their compositions reflect research into subcultures⁠
and mainstream media alike. ⁠
⁠
While Lloyd draws heavily from black metal and punk aesthetics, religious iconography, and viral internet phenomena, Matthews incorporates elements from film, historic media moments, and iconic aspects of sports and culture, as well as storied geographical locations.⁠
⁠
Matthews’ work positions these moments with a measured, poetic⁠ sensibility, facilitating perspective shifts and extending metaphorical⁠
resonance. In contrast, Lloyd’s hypnotic yet restrained collages imbue⁠ personal narrative and storytelling into his constructions, offering a⁠
unique exploration of identity and experience.⁠
⁠
Booth E104⁠
⁠
Ice Palace Studios⁠
1400 N Miami Ave, Miami, FL 33136⁠
December 3 - 7, 2024⁠
⁠
Chris Lloyd (b. 1994, Albuquerque, NM) is a multimedia artist based in Brooklyn, NY. Lloyd’s art-making practice re-contextualizes various forms of symbolism and iconography through idiosyncratic techniques of image collection, transfer and use of customized machinery. He plays with themes of nostalgia and personal narrative by manipulating and layering found material. Recent solo exhibitions include ‘Pick Your King’ at SPY Projects in L.A., 2024, 'N***** in Gothenburg', NSFW Gallery, Gothenburg, Sweden, 2023, ‘I Against I’ at Soft Opening, 2023, London UK, ‘And The Candles Burned Low, Deep Into The Night’ at Domicile, Tokyo, 2023, 'In Solitude Until The End of Time', Entrance, NYC 2024. ⁠
⁠
Images:⁠
Chris Lloyd⁠
'Untitled II', 2024⁠
Iron-on, acrylic paint, pen on canvas⁠
48 x 36 in
This year at NADA Miami, Entrance is proud to present a two-person exhibition featuring artists Chris Lloyd and Nathaniel Matthews. Both artists conduct extensive research into images as symbols, examining their roles as creators of value and culture, multifaceted vessels of metaphor, and the profound effects of mass media on our conscious and unconscious minds.⁠ ⁠ Both artists engage with image transfer and the fastidious layering of⁠ mediums to reform and re-contextualize symbols and images as a means to⁠ new narrative ends Their compositions reflect research into subcultures⁠ and mainstream media alike. ⁠ ⁠ While Lloyd draws heavily from black metal and punk aesthetics, religious iconography, and viral internet phenomena, Matthews incorporates elements from film, historic media moments, and iconic aspects of sports and culture, as well as storied geographical locations.⁠ ⁠ Matthews’ work positions these moments with a measured, poetic⁠ sensibility, facilitating perspective shifts and extending metaphorical⁠ resonance. In contrast, Lloyd’s hypnotic yet restrained collages imbue⁠ personal narrative and storytelling into his constructions, offering a⁠ unique exploration of identity and experience.⁠ ⁠ Booth E104⁠ ⁠ Ice Palace Studios⁠ 1400 N Miami Ave, Miami, FL 33136⁠ December 3 - 7, 2024⁠ ⁠ Chris Lloyd (b. 1994, Albuquerque, NM) is a multimedia artist based in Brooklyn, NY. Lloyd’s art-making practice re-contextualizes various forms of symbolism and iconography through idiosyncratic techniques of image collection, transfer and use of customized machinery. He plays with themes of nostalgia and personal narrative by manipulating and layering found material. Recent solo exhibitions include ‘Pick Your King’ at SPY Projects in L.A., 2024, 'N***** in Gothenburg', NSFW Gallery, Gothenburg, Sweden, 2023, ‘I Against I’ at Soft Opening, 2023, London UK, ‘And The Candles Burned Low, Deep Into The Night’ at Domicile, Tokyo, 2023, 'In Solitude Until The End of Time', Entrance, NYC 2024. ⁠ ⁠ Images:⁠ Chris Lloyd⁠ 'Untitled II', 2024⁠ Iron-on, acrylic paint, pen on canvas⁠ 48 x 36 in
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