hannahbarrygallery

In love and sorrow Remembering Norman Hyams 1966 - 2024 💔 Norman Hyams Island (orange), 2024 Oil on board, artist-made frame 21.0h x 25.7w cm 8.27h x 10.12w in

We are open today 11-6. Here are the six paintings making up Sholto Blissett’s subterranean upstairs room at the gallery. Congratulations @sholto.blissett ! Creatures of the Flame II, 2024 Oil on canvas 200 x 300 cm 78 3/4 x 118 in The White Heat of Cold Water, 2024 Oil on canvas 200 x 300 cm 78 3/4 x 118 in Vertigo, 2024 Oil on canvas 200 x 300 cm 78 3/4 x 118 in Creatures of the Flame I, 2024 Oil on canvas 200 x 300 cm 78 3/4 x 118 in World Maker II, 2024 Oil on canvas 200 x 300 cm 78 3/4 x 118 in World Maker I, 2024 Oil on canvas 200 x 300 cm 78 3/4 x 118 in

@sholto.blissett ‘Life in Deep Time’ opens today! Join us to see the show and for drinks 5-8pm all welcome 🤍🏕️ “Something needs to be said to describe my moonlight. Almost frost but softer, almost ash but wholer. Made almost of water, which has strictly speaking No feature, but a kind of counter-light, call it insight.” – Alice Oswald, Full Moon, 2007 Ash Moon, 2024 Oil on canvas 160 x 200 cm 63 x 78 3/4 in

👀 @sholto.blissett coming soon! Life in Deep Time, his second solo show at the gallery, opens Wednesday 4 December 5-8pm all welcome 🏕️

Natalia Gonzalez Martin ‘Table Manners’ is now closed. Thanks to everyone who came by! 💜💚 The accompanying publication made with @foolscap.editions is available via link in bio or our website. Natalia Gonzalez Martin Pearl, 2024 Oil on panel 30 x 20 x 3 cm 11 3/4 x 7 3/4 x 1 1/4 in @natalia.gonzalez.martin

We are very pleased to present this publication produced in collaboration with Foolscap Editions, published on the occasion of Table Manners, the second solo exhibition by Natalia González Martín at the gallery. Launch 2-4pm today, last day of the show! Signed copies available £25 (special launch price) 💜💚 Edited by Charlie Mills
Creative Direction by Daniel Fletcher
Designed by William Lyall
Interview by Charlie Mills
Essay by Asa Seresin Page Count: 72 p.p.
Size: 210x280mm
Print Method: Offset Litho CMYK + Pantone Ochre on Gloss and Uncoated Paper. 2 x Gatefold spreads.
Cover: Offset Litho with Square Spine Buckram Dustjacket. Pantone Black and Purple with Green Mirrored Hotfoil Detail.
Bind Method: Saddle Stitch
ISBN: 978-1-7392095-6-8
Edition: 300
Published by: Foolscap Editions, 1st Edition November 2024 @natalia.gonzalez.martin @foolscap.editions @asaseresin @chardonnie

‘The Rain It Raineth Every Day’, a new exhibition of paintings by Danny Fox curated by Henry Taylor, opens today in Los Angeles. The title of the exhibition is inspired by Norman Garstin’s 1889 painting of Penzance Promenade, shrouded in heavy rain and turbulent winter seas, which Fox encountered at Penlee House in Cornwall, where he lives and works. This stretch of landscape holds immense personal significance for Fox and is central to this latest body of work. The title text, drawn from Shakespeare’s Twelfth Night, equally resonates, as Cornwall endured nearly two hundred days of continuous rain during the period these paintings were made. Despite these overcast origins, Fox’s new works defy the expected greys and blues, a vivid palette of lime greens and yellows, creating an artificial brightness in the dim afternoons and granite interiors of a long Cornish winter—flares of light in the dark. A must see!! 🧡 Danny Fox. The Rain It Raineth Everyday Curated by Henry Taylor From Friday 15 November Chinatown Taylor’s - 510 Bernard St, Los Angeles @dannyfoxpaint @chinatowntaylor

Last week to see Natalia Gonzalez Martin’s solo show! We close on Saturday 16th with the launch of our publication about ‘Table Manners’ with Foolscap Editions. 2-4pm 💜 💚 Natalia will be here. All welcome! Table Manners  Specially made short run publication with Foolscap Editions featuring a commissioned essay by writer and researcher Asa Seresin, ‘Never Ignore Something That Might Be a Clue’, and an interview between González Martín and curator and writer Charlie Mills. Signed copies will be available at the launch. Mutilated Sphere, 2024 Oil on panel 17 x 12 x 3.2 cm 6 3/4 x 4 3/4 x 1 1/4 in @natalia.gonzalez.martin @foolscap.editions @asaseresin @chardonnie

We are excited that Danish sociologist Nikolaj Schultz (1990-) is joining George Rouy in conversation at Hauser & Wirth on 26th November to mark his show ‘The Bleed, Part I’. Tickets are free, however advance booking is essential via the H&W website. In recent years, Schultz has emerged as an influential voice in social theory and ecological thinking. His work has been praised by scholars Dipesh Chakrabarty, Clive Hamilton and Slavoj Zizek, as well as inspiring artists and curators from Fontaines D.C. to Hans Ulrich Obrist.  Schultz was a close collaborator of late French philosopher Bruno Latour (1947-2022) in the years before his passing. In 2022, Schultz and Latour co-authored ‘On the Emergence of an Ecological Class. A Memo’ (Polity Books, 2023), a short text on how to construct from below a strong political subject ready to fight for the habitability of the planet in the wake of global climate change. A year after its publication, the book was translated in more than a dozen languages and quickly became a point of inspiration for political actors such as the Green Party in France (EELV) and the German Climate Movement. Later the same year, Schultz published ‘Land Sickness’ (Polity Books, 2023), currently translated into eight languages, a hybrid text that he calls an “auto-etnografictive essay” on the sociological and existential questions that the Anthropocene force us to pose. @nikolaj.schultz @georgerouy @hauserwirth

Table Manners Book Launch 💜💚 Saturday 16 November, 2-4pm with Foolscap Editions In collaboration with London-based independent publisher Foolscap Editions we are pleased to present a specially made short run publication centred on Natalia González Martín’s new body of work, Table Manners. The publication features a new commissioned essay by writer and researcher Asa Seresin, ‘Never Ignore Something That Might Be a Clue’, as well as an interview between González Martín and curator and writer Charlie Mills. Signed copies will be available at the launch. All welcome! @natalia.gonzalez.martin @foolscap.editions @asaseresin @chardonnie

Kingsley Ifill is participating in this year’s Offprint, always a highlight of photography week in Paris. Four beautiful hand-printed, hand-bound new books of his will be available in very limited editions. UTSURU III - his ongoing studio journal. Rat Tail Reverb - a collection of unique works on paper for Rick Owens.  As Clouds Clash - photographs for Vivienne Westwood inspired by Mishima’s novel of 1956 The Temple of the Golden Pavilion. An ode to love, a book designed purposely fragile, bound to change with each interaction - pages stick within the spine and pages possibly tear, but ultimately always the same. Floating On The Silence - in short, photographs from Brazil. Offprint Paris Independent, experimental and socially engaged publishers in the fields of art, architecture, design, humanities and visual culture. 7-10 November Pavillon de l’Arsenal 21, Boulevard Morland 75004 Paris @kingsley_ifill @offprint_projects @rickowensonline @viviennewestwood

We are open today 11-6. Last few weeks to see Natalia Gonzalez Martin solo show ‘Table Manners’. @natalia.gonzalez.martin Illuminations (Fragment #18), 2024 Egg tempera, gold leaf on vellum 20.8 x 14.6 cm 52 x 42 x 1 cm (framed)