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Formless Being
2024
Acrylic and oil on canvas
240 x 270 x 4 cm
5K 76 2 months ago
Tarmac Press is proud to present the second edition George Rouy’s debut publication ‘Selected Works 2017-2023’. Published on the occasion of the artists solo exhibitions The Bleed, Part I at Hauser & Wirth, London, UK (2024) and The Bleed, Part 2, Hauser & Wirth, Los Angeles, US (2025).
First 200 copies signed by the artist - Link in bio 👉
“Comprising forty seven paintings created between 2017 – 2023, this inaugural monograph of Rouy’s work, published by Tarmac Press, brings together selected paintings from over ten bodies of work to survey his dynamic and signature use of the human figure, which, constrained and liberated, speaks to the extremities of our time. In the following pages Rouy’s approach shape-shifts from unified, ambient subjects made strange and alluring to us through their sparse yet enduring symbolism.” - Charlie Mills.
- 108 pages
- Silver linen bound hardback with tip-in and foil block cover
- Litho print on Magno Volume & Munken Lynx paper
- 215.5 x 269cm
- Essay by Charlie Mills
- Studio photography by Kingsley Ifill
- Designed by Jamie Reid Studio
- Published by Tarmac Press 2024
2.7K 21 6 days ago
Flash Thought
2024
Acrylic and oil on canvas
120 x 100 x 4 cm
122.8 x 102.3 x 5 cm (framed)
6K 77 7 days ago
Absence
2024
Oil and acrylic on linen
240 x 190 x 4 cm
‘I’m always thinking about how the eye navigates a work, and the role of breakages and distortion.’—#GeorgeRouy
Join George Rouy (@georgerouy) as he welcomes Ben Luke (@benlukeart1) into his studio for an in-depth conversation about his creative process, leading up to his debut exhibition with the gallery.
🔜 The exhibition will feature a new series exploring themes of collective bodies, movement and human existence. 📆 ‘George Rouy. The Bleed, Part I’ opens 7 October at 📍 Hauser & Wirth London.
Watch the full film at the 🔗 link in bio.
🎥 @leepretiousstudio
#GeorgeRouy #HauserWirth #HauserWirthOnFilm #HWOnFilm