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Album Cover + Track List - Cosa Nuestra by @rauwalejandro 

Creative Direction by @adrian.martinez and @elzorro 
Design: @sturdy.co 
Album Cover 3D Modeling + Compositing: @garonganut 
Track List + Logo Design: @peachquintana 
Photography: @marcoperretta 

Thank you to all involved.
Album Cover + Track List - Cosa Nuestra by @rauwalejandro Creative Direction by @adrian.martinez and @elzorro Design: @sturdy.co Album Cover 3D Modeling + Compositing: @garonganut Track List + Logo Design: @peachquintana Photography: @marcoperretta Thank you to all involved.
465 38 a month ago
Content Creation for @linkinpark’s “From Zero” Tour.

This marked Linkin Park’s first tour in seven years, following the passing of their lead vocalist, Chester Bennington. Featuring content designed by us, the world tour has been a tremendous success, reuniting longtime fans and celebrating their enduring legacy.

Creative Director/ Lead Designer: @mikecarson 
Show Director: @emile.frederick 
Designer: Jack Headford
Creative Producer: Valterri Laihanen
Content Art Director: @mateafriend 
Lighting Designer: @celine_lila_royer 
Lighting Programmer: @tylersantangelo 
Screens Programmer: @hankdoesthings 
Technical Producer: @sam.paine 
Technical Production: @earlybirdvisual 
Lasers: @griffiths.seth 
Tour Director: @digbyjim 
Production Manager: @joeskarz 
Creative MGMT: HPLA

Content Production: @sturdy.co 
Content Executive Producers: @kevin.henry, @jabbathekid 
Content Director: @nat.hall.design 
Content Art Director: @_justinsanchez_ 
Notch Design: @allofitnow, @_vishalsharma, @berto_mora
Content Artists: @_justinsanchez_ , @killwillprod, @quantaypeoples, @jondenton, @klsr.av, @garonganut, @thenoisediary, @harleywrecks, @randy.cano, @samuelpietri
Content Creation for @linkinpark’s “From Zero” Tour. This marked Linkin Park’s first tour in seven years, following the passing of their lead vocalist, Chester Bennington. Featuring content designed by us, the world tour has been a tremendous success, reuniting longtime fans and celebrating their enduring legacy. Creative Director/ Lead Designer: @mikecarson Show Director: @emile.frederick Designer: Jack Headford Creative Producer: Valterri Laihanen Content Art Director: @mateafriend Lighting Designer: @celine_lila_royer Lighting Programmer: @tylersantangelo Screens Programmer: @hankdoesthings Technical Producer: @sam.paine Technical Production: @earlybirdvisual Lasers: @griffiths.seth Tour Director: @digbyjim Production Manager: @joeskarz Creative MGMT: HPLA Content Production: @sturdy.co Content Executive Producers: @kevin.henry, @jabbathekid Content Director: @nat.hall.design Content Art Director: @_justinsanchez_ Notch Design: @allofitnow, @_vishalsharma, @berto_mora Content Artists: @_justinsanchez_ , @killwillprod, @quantaypeoples, @jondenton, @klsr.av, @garonganut, @thenoisediary, @harleywrecks, @randy.cano, @samuelpietri
673 25 2 months ago
Content, Stage and Lighting Design for @pesopluma’s Exodo Tour.

Production / Content Design: @sturdy.co
Executive Producer: @kevin.henry
Head of Content: @jabbathekid
Stage Design: @adrian.martinez
Creative Producer: @vanessszaa
Show Direction: @tawbox

Content Director: @_justinsanchez
Content Project Manager: @percentheewonhan
Content Creative Assistant: @noah_hrndez
Editor & Animators: @_justinsanchez_ , @parkerrschmidtt , @quantaypeoples,
3D Artists: @randy.cano, @garonganut, @harleywrecks, @jondenton, @Killwillprod, @cavecanems, @bazzbrosblvd, @nmbrs.studio
Illustrator / Layout Artist: @sadcheerleader 
Graphic Designers: @jgalley24, @pablodel.art, @jordantway

Lighting Designer: @mi_led
Lighting Programmer: @eliot.jessep 
Lighting Operator: @weshenrard @pixelmatting 
Notch Design: @allofitnow, @berto_mora, @_vishalsharma
Notch Executive Producer: @beerforpunk
D3 Programmer: @videoericmay 

Documentation: @life.of.seb, @_justinsanchez_
Content, Stage and Lighting Design for @pesopluma’s Exodo Tour. Production / Content Design: @sturdy.co Executive Producer: @kevin.henry Head of Content: @jabbathekid Stage Design: @adrian.martinez Creative Producer: @vanessszaa Show Direction: @tawbox Content Director: @_justinsanchez Content Project Manager: @percentheewonhan Content Creative Assistant: @noah_hrndez Editor & Animators: @_justinsanchez_ , @parkerrschmidtt , @quantaypeoples, 3D Artists: @randy.cano, @garonganut, @harleywrecks, @jondenton, @Killwillprod, @cavecanems, @bazzbrosblvd, @nmbrs.studio Illustrator / Layout Artist: @sadcheerleader Graphic Designers: @jgalley24, @pablodel.art, @jordantway Lighting Designer: @mi_led Lighting Programmer: @eliot.jessep Lighting Operator: @weshenrard @pixelmatting Notch Design: @allofitnow, @berto_mora, @_vishalsharma Notch Executive Producer: @beerforpunk D3 Programmer: @videoericmay Documentation: @life.of.seb, @_justinsanchez_
881 42 2 months ago
Creative for @everythingalwaysforever (@johnsummit & @domdolla) performance at the @gorgeamphitheatre.

Creative Director: @adrian.martinez 
Executive Producer: @kevin.henry @kylepnolan 
Jr. Producer: @christinaaalba 
Project Management: @alex.rollier 
Stage Design: @adrian.martinez @skylar_elis 
Art Direction: @skylar_elis 
Creative Assistant: @noah_hrndez 
Lighting Director & Designer: @mj_led 
Lighting Programmer: @nattyturner 
Production Management: @heavy.global 
VJ:  @sean.tejada 
IMAG Director: @jollyjoshvisuals 
Notch Design: @visualendeavors , @berto_mora , @sean.tejada 
Visual Team: @jabbathekid , @strangeloopstudios , @_justinsanchez_ , @garonganut
Content Capture: @alivecoverage @tylerhillphoto
Creative for @everythingalwaysforever (@johnsummit & @domdolla) performance at the @gorgeamphitheatre. Creative Director: @adrian.martinez Executive Producer: @kevin.henry @kylepnolan Jr. Producer: @christinaaalba Project Management: @alex.rollier Stage Design: @adrian.martinez @skylar_elis Art Direction: @skylar_elis Creative Assistant: @noah_hrndez Lighting Director & Designer: @mj_led Lighting Programmer: @nattyturner Production Management: @heavy.global VJ: @sean.tejada IMAG Director: @jollyjoshvisuals Notch Design: @visualendeavors , @berto_mora , @sean.tejada Visual Team: @jabbathekid , @strangeloopstudios , @_justinsanchez_ , @garonganut Content Capture: @alivecoverage @tylerhillphoto
395 13 3 months ago
Creative for @rauwalejandro‘s 2024 @vmas Performance.

Creative: @adrian.martinez  @rauwalejandro & @martinseipel on show intro
Visual Art Direction: @jabbathekid 
Animation: @harleywrecks 
Choreography: @fefe_burgos @deniza_5
Styling/Wardrobe: @emmanuelacosta @juliannethsntg @deniza_5
Performed by: @_bigblt_ @chvdhefner @_.efraindelvalle._ @mariolaureano_ @mykeemoves @yamilortiz_ + @yobailobomba @_karinasalicrup @solange.teatro @nubiamgarcia
Musical Director: @sapomusic
463 16 3 months ago
We’ve had an exciting year with multiple production projects so far.

Slide 1&2: Ludmilla’s Coachella Main Stage Performance
For Ludmilla’s Coachella set, STURDY. was the full production team partnering alongside @eighteentwentysix. Making history as the first Afro-Latina at Coachella, Ludmilla put on a show-stopping performance on the main stage, filled with hired dancers and show fabrication. Thank you to our partners @originalcreativeagency.

Slide 3&4: Branch Commercial
We assembled a full production team for this Branch commercial campaign, to create two 15-second commercials. Using a custom-made camera mount, we created seamless transitions between two contrasting environments, illustrating a transformative journey for the characters. This setup highlighted their transition from work-from-home jobs to their state of tranquility.

Slide 5&6: Honda Stage Featuring Austin Millz
Our team was responsible for creating the AUSTIN MILLZ episode for the Honda Stage Channel in collaboration with the ORCI agency. The project involved three main deliverables:
(1) BEHIND THE SCENES: An interview episode to explore theartist’s background and identity.
(2) SWITCHING GEARS: A performance-focused episode showcasing the artist’s creative process.
(3) LIVE!: A live performance episode, bringing the entire creative journey to completion.

Full credit list on our website, link in bio.
We’ve had an exciting year with multiple production projects so far. Slide 1&2: Ludmilla’s Coachella Main Stage Performance For Ludmilla’s Coachella set, STURDY. was the full production team partnering alongside @eighteentwentysix. Making history as the first Afro-Latina at Coachella, Ludmilla put on a show-stopping performance on the main stage, filled with hired dancers and show fabrication. Thank you to our partners @originalcreativeagency. Slide 3&4: Branch Commercial We assembled a full production team for this Branch commercial campaign, to create two 15-second commercials. Using a custom-made camera mount, we created seamless transitions between two contrasting environments, illustrating a transformative journey for the characters. This setup highlighted their transition from work-from-home jobs to their state of tranquility. Slide 5&6: Honda Stage Featuring Austin Millz Our team was responsible for creating the AUSTIN MILLZ episode for the Honda Stage Channel in collaboration with the ORCI agency. The project involved three main deliverables: (1) BEHIND THE SCENES: An interview episode to explore theartist’s background and identity. (2) SWITCHING GEARS: A performance-focused episode showcasing the artist’s creative process. (3) LIVE!: A live performance episode, bringing the entire creative journey to completion. Full credit list on our website, link in bio.
425 12 5 months ago
We collaborated with @pesopluma , @tawbox and his team to bring a narrative-driven, theatrical performance to the Main Stage at Coachella this year. It was our pleasure to take part in bringing the show to life as we traversed topics not-often spoken about on such platforms.

“Peso Pluma made a huge statement on the complex history of Mexico’s narco-corrido culture with a stunning tribute to the region’s greatest stars” - Variety

Thank you @jmaxperez @veikkofuhrmann @yoomkae @valmurillo @georgeprajin @tonymoon and many more for having us

@sturdy.co for Peso Pluma LIVE @coachella ‘24 🛠️

Show Development & Execution for @pesopluma 2024 Coachella Performance 

Show Director: @tawbox 
Stage Designer & Content Creative Director: @adrian.martinez 
Creative Producer: @kevin.henry 
Content Director/ Art Director: @jabbathekid 
Sr Producer: @rikkeheinecke 
Jr Project Manager: @sophieviscardi 
Project Coordinator: @percentheewonhan 

Visual Team: @jabbathekid @_justinsanchez_ @zachokami @quantaypeoples @randy.cano @harleywrecks @nmbrs.studio @hugoshiboski @jondenton @killwillprod @aghooker @drewzeefx 
Graphic Designer: @peachquintana 
Creative Assistant: @noah_hrndez 

Lighting Designer / Director: @mjl_visions 
Lighting Programmer: @eliot.jessep 

Scenic Art Director: @leonleticia 

Visual Programming Director: @chaseoblack 
Notch Design: @allofitnow @berto_mora @_vishalsharma 

D3 Operator & Programmer: @videoericmay

Photographer: @nattografi
We collaborated with @pesopluma , @tawbox and his team to bring a narrative-driven, theatrical performance to the Main Stage at Coachella this year. It was our pleasure to take part in bringing the show to life as we traversed topics not-often spoken about on such platforms. “Peso Pluma made a huge statement on the complex history of Mexico’s narco-corrido culture with a stunning tribute to the region’s greatest stars” - Variety Thank you @jmaxperez @veikkofuhrmann @yoomkae @valmurillo @georgeprajin @tonymoon and many more for having us @sturdy.co for Peso Pluma LIVE @coachella ‘24 🛠️ Show Development & Execution for @pesopluma 2024 Coachella Performance Show Director: @tawbox Stage Designer & Content Creative Director: @adrian.martinez Creative Producer: @kevin.henry Content Director/ Art Director: @jabbathekid Sr Producer: @rikkeheinecke Jr Project Manager: @sophieviscardi Project Coordinator: @percentheewonhan Visual Team: @jabbathekid @_justinsanchez_ @zachokami @quantaypeoples @randy.cano @harleywrecks @nmbrs.studio @hugoshiboski @jondenton @killwillprod @aghooker @drewzeefx Graphic Designer: @peachquintana Creative Assistant: @noah_hrndez Lighting Designer / Director: @mjl_visions Lighting Programmer: @eliot.jessep Scenic Art Director: @leonleticia Visual Programming Director: @chaseoblack Notch Design: @allofitnow @berto_mora @_vishalsharma D3 Operator & Programmer: @videoericmay Photographer: @nattografi
576 26 8 months ago
As we step into the new year, we want to reflect on some of our favorite moments from the past year. Here’s to more creative ventures in 2024!
As we step into the new year, we want to reflect on some of our favorite moments from the past year. Here’s to more creative ventures in 2024!
251 13 a year ago
Day 26: Artist Creative Direction

We at STURDY.co are able to use a mixture of creative outlets to embellish their vision into reality. 

Slide 1-3: PARTYNEXTDOOR | PartyPack (2020) & Colours (2021)
STURDY. was responsible for creating the “PartyPack” Logo Design alongside @reachmoonbase , as well as the Cover Art, various Social Assets and all Merchandise.
Upon the “Colors” re-release in 2021, our team handled the design of the new Cover Art image, CD, Vinyl, and Social Assets. 

Slide 4-6: Lauv | The Between Albums Tour (2023) & Love U Like That (2023)
For this tour through Southeast Asia, were responsible for fabricating merchandise, lighting design, stage content, and stage design.
Lauv’s 2023 single, “Love U Like That,” had our team’s direction for the music video (in collaboration with Lauv), visualizer, and cover art.

Slide 7-10: 6lack | Since I Have A Lover (2023)
For 6lack’s “Since I Have a Lover” album, our team designed the cover art, vinyl, merchandise, visualizer, and music video.
Day 26: Artist Creative Direction We at STURDY.co are able to use a mixture of creative outlets to embellish their vision into reality. Slide 1-3: PARTYNEXTDOOR | PartyPack (2020) & Colours (2021) STURDY. was responsible for creating the “PartyPack” Logo Design alongside @reachmoonbase , as well as the Cover Art, various Social Assets and all Merchandise. Upon the “Colors” re-release in 2021, our team handled the design of the new Cover Art image, CD, Vinyl, and Social Assets. Slide 4-6: Lauv | The Between Albums Tour (2023) & Love U Like That (2023) For this tour through Southeast Asia, were responsible for fabricating merchandise, lighting design, stage content, and stage design. Lauv’s 2023 single, “Love U Like That,” had our team’s direction for the music video (in collaboration with Lauv), visualizer, and cover art. Slide 7-10: 6lack | Since I Have A Lover (2023) For 6lack’s “Since I Have a Lover” album, our team designed the cover art, vinyl, merchandise, visualizer, and music video.
350 4 a year ago
Day 25: 360 Camera

For Rauw Alejandro’s Saturno Tour, we developed our technical content design strategies in collaboration with @jabbathekid and @jondenton for a 360-degree cylindrical screen. 

Our primary method of creating content involved using an equirectangular lens shader for an in-scene camera. Additionally, we designed content that loops on the horizontal axis, without any spherical projection. The render views showcase both the initial state and the technical aspects of preparing this stage for performance.

We worked closely with @ruckus.visuals to craft seamless 3D environments using this camera. The behind-the-scenes previews reveal the beginning poses in Daz, through the texturing and scene setup in Unreal Engine, to the final composite stages involving the addition of the UV pass in After Effects.

@ruckus.visuals created the view to be “cropped to the huge cylindrical stage. This meant the camera could drift through landscapes of fractured statues and dystopian cities, all while providing a seamless view to an audience standing anywhere in the arena. Designing for a show in the round like this can be challenging and requires considered design, testing and previz. Given those demands - and the vast scales of the scenes - we decided to build our world in Unreal Engine.”

For the detailed process on creating the Catorce/Lokera content, please see @ruckus.visuals notion page: https://ruckusvisuals.notion.site/ruckusvisuals/Rauw-Alejandro-3c4d443473474d37895179da13805463

For full credits, please visit https://sturdy.co/
Day 25: 360 Camera For Rauw Alejandro’s Saturno Tour, we developed our technical content design strategies in collaboration with @jabbathekid and @jondenton for a 360-degree cylindrical screen. Our primary method of creating content involved using an equirectangular lens shader for an in-scene camera. Additionally, we designed content that loops on the horizontal axis, without any spherical projection. The render views showcase both the initial state and the technical aspects of preparing this stage for performance. We worked closely with @ruckus.visuals to craft seamless 3D environments using this camera. The behind-the-scenes previews reveal the beginning poses in Daz, through the texturing and scene setup in Unreal Engine, to the final composite stages involving the addition of the UV pass in After Effects. @ruckus.visuals created the view to be “cropped to the huge cylindrical stage. This meant the camera could drift through landscapes of fractured statues and dystopian cities, all while providing a seamless view to an audience standing anywhere in the arena. Designing for a show in the round like this can be challenging and requires considered design, testing and previz. Given those demands - and the vast scales of the scenes - we decided to build our world in Unreal Engine.” For the detailed process on creating the Catorce/Lokera content, please see @ruckus.visuals notion page: https://ruckusvisuals.notion.site/ruckusvisuals/Rauw-Alejandro-3c4d443473474d37895179da13805463 For full credits, please visit https://sturdy.co/
435 6 a year ago
Day 23: Modeling 3D Assets in VR

In crafting the visual experiences for “Me Porto Bonito” and “Un Ratito” on Bad Bunny’s “World’s Hottest Tour,” we utilized VR to create immersive assets within the 3D space. This meticulous process allowed us to craft a unique motion and art style, with its intricacies and effort in creation becoming evident on stage.

“In VR you can perceive depth, you can look around a space as if you are actually there, it gives you a much more intimate connection with what you are creating. On top of this, the process of sculpting in VR is very gestural and quick, we are working with a weightless 3D clay that captures all the little imperfections of our hand motions thus our sculpts convey a human life and energy that traditionally modeled objects do not have. Being able to create assets quickly also allows us to create entire worlds within our style, allowing things to be more cohesive and follow a visual logic,” explains @good_boy_william and @hugoshiboski 

Lead Content Direction: @sturdy.co
Visual Content Direction for Me Porto Bonito/Un Ratito: @good_boy_william @hugoshiboski 
Me Porto Bonito Sculpting and Animation Co-Collaborators: @studiosyro 
Un Ratito 3D Animation / Sculpting / Scene Building: @good_boy_william @alecmaassen @hugoshiboski @marcuscus3d 
Compositing / Backgrounds: @defaulteric
Day 23: Modeling 3D Assets in VR In crafting the visual experiences for “Me Porto Bonito” and “Un Ratito” on Bad Bunny’s “World’s Hottest Tour,” we utilized VR to create immersive assets within the 3D space. This meticulous process allowed us to craft a unique motion and art style, with its intricacies and effort in creation becoming evident on stage. “In VR you can perceive depth, you can look around a space as if you are actually there, it gives you a much more intimate connection with what you are creating. On top of this, the process of sculpting in VR is very gestural and quick, we are working with a weightless 3D clay that captures all the little imperfections of our hand motions thus our sculpts convey a human life and energy that traditionally modeled objects do not have. Being able to create assets quickly also allows us to create entire worlds within our style, allowing things to be more cohesive and follow a visual logic,” explains @good_boy_william and @hugoshiboski Lead Content Direction: @sturdy.co Visual Content Direction for Me Porto Bonito/Un Ratito: @good_boy_william @hugoshiboski Me Porto Bonito Sculpting and Animation Co-Collaborators: @studiosyro Un Ratito 3D Animation / Sculpting / Scene Building: @good_boy_william @alecmaassen @hugoshiboski @marcuscus3d Compositing / Backgrounds: @defaulteric
608 36 a year ago
Day 22: Lighting Design

Lighting design is multidimensional art that plays a pivotal role in shaping the audience’s perception. Continuing to successfully uplift atmospheres and overall live aesthetics, we’ve included some notable highlights.

Slide 1-3: Rauw Alejandro | PR (2023)
Slide 4-5: Lauv | The Between Albums Tour (2023)
Slide 6-7: NxWorries | International Tour (2023)
Slide 8-9: Austin Millz | Live at The Roxy Performance (2022)
Day 22: Lighting Design Lighting design is multidimensional art that plays a pivotal role in shaping the audience’s perception. Continuing to successfully uplift atmospheres and overall live aesthetics, we’ve included some notable highlights. Slide 1-3: Rauw Alejandro | PR (2023) Slide 4-5: Lauv | The Between Albums Tour (2023) Slide 6-7: NxWorries | International Tour (2023) Slide 8-9: Austin Millz | Live at The Roxy Performance (2022)
276 2 a year ago