new.galerie

💃Get on your feet! (𝙇𝘼)𝙃𝙊𝙍𝘿𝙀: 𝙃𝙚𝙪𝙧𝙚𝙪𝙭 𝙨𝙤𝙪𝙨 𝙨𝙤𝙣 𝙤𝙢𝙗𝙧𝙚, now on view #atTheBass! @la.horde is a France-based multidisciplinary collective founded in 2013 by artists Marine Brutti, Jonathan Debrouwer, and Arthur Harel. As directors of the Ballet de Marseille, the trio pushes the boundaries of classical dance to explore how bodies are represented in public space, social networks, objects, and onstage—all on view at The Bass in (LA)HORDE’s first exhibition in the United States. 🥖 In 2017, the commune of Bondy, a Paris suburb, and Centre National de la Danse invited (LA)HORDE to produce a choreographic portrait of Bondy and its residents. The aim was to venture into the community and meet ordinary citizens who dance but may not have any formal training. 🗺️(LA)HORDE invited these individuals—representing a wide demography of age, gender, and cultural background—to film themselves dancing, and directing themselves as they danced, in venues of their choice. ⭐ Museum visitors can expect exciting experiences #atTheBass, exploring the performative and theatrical aspects of social networks in contemporary art with exhibitions highlighting movement, immersion, scenography and technology. 👀 Keep an eye on our socials for more exhibition announcements and sign up for our weekly newsletter for details. This exhibition is organized by James Voorhies (@jamesvoorhies), The Bass Chief Curator, and Claudia Mattos (@clamatto), Associate Curator of New Media Art. Installation view of (𝙇𝘼)𝙃𝙊𝙍𝘿𝙀: 𝙃𝙚𝙪𝙧𝙚𝙪𝙭 𝙨𝙤𝙪𝙨 𝙨𝙤𝙣 𝙤𝙢𝙗𝙧𝙚, 2024. Photography by @zairephoto. Images courtesy of The Bass, Miami Beach.

This Saturday December 7 Salomé Chatriot will be performing Fragile Ecosystem at @thebassmoa in Miami. With @villa.albertine and @filmgatemiami at the occasion of @artbasel 🌬️ after a talk with @nancybakercahill in the museum. Pictures of Fragile Ecosystem performed @la_becque in Modern Nature. Costume by @lolawolfoloup #performance #souffle #breathing #miami #artbaselmiami #thebassmuseum @salomechatriot

(𝙇𝘼)𝙃𝙊𝙍𝘿𝙀: 𝙃𝙚𝙪𝙧𝙚𝙪𝙭 𝙨𝙤𝙪𝙨 𝙨𝙤𝙣 𝙤𝙢𝙗𝙧𝙚, now on view @thebassmoa ✨ In 2017, the commune of Bondy, a Paris suburb, and Centre National de la Danse in Pantin invited (LA)HORDE to produce a choreographic portrait of Bondy and its residents. The exhibition’s title is a nod to Bondy’s eighteenth-century municipal motto Heureux sous son ombre, or “Happy under its shadow.” Referring to the township’s origins near the eponymously named forest, the motto was adopted to rehabilitate the image of a region once plagued by highwaymen and banditry. (LA)HORDE’s sculpture HEUREUX SOUS SON OMBRE (2024), presented alongside the video, similarly acknowledges culturally demarcated spaces of threat and civilization, with ideas about society that perennially emerge in various politically constructed guises. This exhibition is organized by James Voorhies, The Bass Chief Curator, and Claudia Mattos, Associate Curator of New Media Art. @la.horde @marinebrutti @jonathan.debrouwer @arthurharel @balletnationaldemarseille @thebassmoa @jamesvoorhies @clamatto #dance #community

SKY©, a conversational chatbot company, develops avatars that are capable of independently replacing you in visio-meetings, answering your calls, and replying to your texts and emails. But what do they do when you’re not using them? Today opening of Rivets of Gold, Hoël Duret' solo show @new.galerie 🦁🦊🦉🐻 #chatbot #ai #corporate @hoelduret

Saturday November 16 opening of Rivers of Gold, Hoël Duret' solo show @new.galerie 🦁🐻🦊🦉 extract of Hoël Duret DROP OUT (2020), 4K video with sound, 23’05´´ #hoelduret #ia

Hoel Duret' solo show: Rivers of Gold opens next Saturday November 16 @new.galerie @hoelduret video: HOËL DURET, FOX, 2022 Flexible mannequin, steel and wood stool, leather shoes, cotton pants and shirt, PLA printing, 3D holographic propeller, video media, electric cable, LED projector, computer program, soundtrack, loudspeakers

Depuis trois mois, Candice explose tous les jours. Parfois même deux fois, voire trois fois par jour. Son record, c’est sept fois. Actuellement, elle en est à 192 explosions. For the past three months, Candice has been exploding every day. Sometimes twice, even three times a day. Her record is seven times. She is now at the 192 mark. Caroline Poggi et Jonathan, La Fille qui explose @new.galerie jusqu'au 9 novembre ❤️💥🫀 @caroline_poggi @jonathanvinel @graceohiriseri @malib9 @atlasv.io

Opening on November 16 @new.galerie Hoël Duret's solo show Rivers of Gold ✨ SKY©, a conversational chatbot company, develops avatars that are capable of independently replacing you in visio-meetings, answering your calls, and replying to your texts and emails. But what do they do when you’re not using them? @hoelduret 🦁🐻🦅🦉

La fille qui explose (2024), court-métrage d’animation de 19 minutes, raconte l’histoire de Candice. D’ailleurs, dès les premières secondes, c’est elle qui se présente : « Je m’appelle Candice. Depuis trois mois, j’explose tous les jours. Même les jours fériés. Même les jours de grève. » La protagoniste principale en est le résultat à l’image : un corps disloqué puis recomposé, patchwork rabiboché d’esthétiques disparates. Un œil vert en amande type Barbie, un œil bleu globuleux made in Chucky, une bouche cousue en un rictus sanglant, une oreille d’orque greffée sur une peau glowy : la cohérence, luxe de l’ancien monde. Candice, elle, a la trentaine, une chambre en ville, des amant·es, un·e psy et peu d’ami·es. Elle a tout réussi, fait de grandes études, mais surtout, elle a toujours eu peur. Une peur paralysante, qui rejoint le marasme partagé par la France entière, et qui entraînera les explosions : « On est tellement isolé·es qu’on a besoin d’être découpé·es pour apprendre à se réunir à nouveau. » extrait du texte d'Ingrid Luquet-Gad La Fille Qui Explose @new.galerie jusqu'au 9 novembre @caroline_poggi @jonathanvinel @ingridluquetgad @graceohiriseri #lafillequiexplose image: film still La Fille qui explose, 2024, vidéo HD, 19mins

October 22 at 8:30 pm at the Luminor cinema, Paris: projection of Relax Be Cruel (1983-2023, 39min), a movie by Marion Scemama. This film, emblematic of the 80s in NYC, had been acquired by MoMA (NYC) in 2024 and joined the museum's collection (currently, an excerpt is being screened in the MoMA Collection's exhibition: In the Shadow of the American Dream curated by Sophie Cavoulacos and Stuart Comer). Luminor Hôtel de Ville / 20 rue du Temple / 75004 Paris @scemamarion @luminorhdv @sophiecavoulacos @stuartcomer @themuseumofmodernart #piernewyork #eastvillage image: Rick Prol, Portrait of Marion Scemama, Pier New York, 1984 @rickprol

“(LA)HORDE: Heureux sous son ombre,” until April 27, 2025 @thebassmoa is the first museum presentation of (LA)HORDE (Marine Brutti, Jonathan Debrouwer, Arthur Harel) in the United States. The exhibition curated by James Voorhies and Claudia Mattos centers on “Bondy,” a video portrait of the commune of Bondy, a Paris suburb. (LA)HORDE invited community members—representing a wide demography of age, gender, and cultural background—to film themselves dancing and moving in and through public and private space, directing themselves in venues of their choice. Some fifty community members ended up participating—including high-school cheerleaders, seniors in a dance club, and synchronized swimmers— by submitting videos of dance or—better—movement studies.  @la.horde @marinebrutti @jonathan.debrouwer @arthurharel @thebassmoa @jamesvoorhies @clamatto @balletnationaldemarseille @nadia.elhakim #lahorde #thebassmuseum #bondy #dance #community #heureuxsoussonombre

La Fille Qui Explose (alternate poster) Caroline Poggi et Jonathan Vinel en collaboration avec @dustin_cauchi , 2024 tirage jet d’encre sur papier ultra mat 120 x 85 cm Visible à @new.galerie