kodak_shootfilm

LIFE MOMENTS @PlacesplusFaces X @Reebok | 3 Perf 500T 35mm “I chose to shoot on film to give the ads a cinematic quality and evoke the feel of classic film. Especially with “Bahna” which was a reference to Senegalese cinema” Director Ciesay Director - @ciesay Creative Studio - @pluslivestudio LDN Producer - @producerlonge Agency Producer - @_krisdeclan Production Manager - @sharb.91 DOP - @kaiblamey_ 1st AC - @chloelharwood Lighting Director for Photography - Darren Karl Smith 1st AD - @kashmanharris 2nd AD - @billy__french Gaffer - @jamesduffy.gaffer Spark - @daniel_svilenov Grip - @ng_grip Colorist - @timotheous Art Director - @sashahilton Art Assist - @christinecave @artassistarchie Alessandra Vargas - Art Assist - @themartinipolice Sound Op - @kylistair93 Stylist - @pilimateos Styling Assist - @rafagiraldob MUA - @shanicemua MUA Assist - @anushasolanki Production Assistant - @jacksavage13 Runner Driver - @SwavyBeats Casting Director - @egapel_film FRANCE Kora Cissokho - Places+Faces 1st AD Lisa Régis EP - @aroundmax EP / Producer - @vincentauriolofficiel Production Assistant - @emiliescreation DOP - @kaiblamey_ 1st AC - @calancamauro 2nd AC - @cyprien.jeancolas Gaffer - @pat.allard13 Spark (recce) - @ceccaldistudio Light assistant - @ardent.rent Grip - Antonia Aunay Set Design / Props Master - @ceccaldistudio Set design assistant - @clothilde.cdb Stylist - @mmmarionb Stylist assistant - @melinaws MUA - @vanillegautier Location Manager - @airsanchoklub Casting Director - @_azraq Talent - Pitstop - @rastacame Wedding Dress - @iamangejose Dogwalker - @aquani.vega Koba Drame - Bhana 1 Samba Camara - Bhana 2 #ShotOnFilm #35mm

UNE MER SANS VAGUES | 200T 16mm On a solitary journey through nature, a man reflects on his past, his choices, and the fleeting essence of life, as the world around him mirrors his inner struggles. Tap the link in our bio to watch the full short film. Shot and Directed by Furkan Cetin & Waleed Sokkar @fzetin @waleedsokkar Starring - Billy Vandendooren @billyvdd Narrator - Adrien Lagier @adrien.lagier Colourist - Florian Staerk @florian.staerk Composer - Johann Graham Engelhardt @johanngrahamengelhardt #ShotOnFilm #16mm

SPIKED @harryhaydennn Visualizer | 500T 16mm “It’s rare to have the opportunity to execute a car-mounted shot in today’s world, where greenscreen and volume technologies dominate. But capturing it on film for this visualizer was an entirely different experience. With this visualizer, I wanted to explore Harry’s journey of self-rediscovery, embracing their liberation within a tranquil, dreamlike atmosphere. In the end, I chose 500T due to the tunnel’s low light conditions, as well as its rich grain structure and texture this film stock possesses , which proved to be the ideal choice for this visualizer” - Jon Yiannis Escobar Director: Jon Yiannis Escobar @jon.escobar_ 1st AD: Callum Harrod Director of photography: David Chan 1st Ac: Oliver Lucantonio Gaffer: Daniel Tan Best Boy: Riley Warrener Rental house: Cameraquip Development: NANOLAB SCAN: MEMORY LAB @memorylabfilm #ShotOnFilm #16mm

GRIM ALL DAY | 2 perf 200T & 500T 35mm “When we first started talking about the visual language for Grim, we spoke a lot about finding a a way to represent a certain darkness in the project. We came to this term ‘ugly-beautiful’ our goal was to create images which had a sort of uncanny appeal to them, relying on shadow, muddy colors; burgundy, brown, green, etc - creating a sort of irresistible tone that was simultaneously off putting.” Director Dylan Pailes-Friedman @dylan_p.f “We tried out a new format that I’ve never seen anyone use before. I had some leftover short ends from the feature I shot earlier that year. We didn’t have a ton, but we both felt like 1.33 was the right aspect ratio for the story. So, we ended up shooting in 2 perf and cropping it to 1.33. It sounds a bit crazy, but it made sense given the free stock we had. We both loved the texture we ended up with — an in-between 16mm and 35mm. It also gave us a significantly larger film plane than 16mm would have. It really aligned well with the visual world we wanted to create for this film.” DP Mika Altskan @mikaaltskan Written & Directed by: @dylan_p.f DP: @mikaaltskan With: @talliemedel @maschamareen @tobias.segal Produced by: @jppw11 @noah.dirks EP: @athln @dakotaminafox Colorist: @dantegiani Color House: @ethos_studio Sound Design and Mix: @_inesadriana_ Casting: @kategellercasting 1st AD: @k____e____m Costume Designer: @Hillaryesthersproul 1st AC: @SinclairNeff @omni_cloud 2nd AC: @KatieMlinek Loader: @hella_messed Gaffer: Clem Therin Production Design: @_doros Art Director: @willyrich Set Dresser: @tofutti69cutie Art Assistant: @he.harrison Production Sound Mixer: @djlilnipslip Wardrobe Assistants: @Rebeccaturbow @traviisimo Key Grip: Farley Schilling @gabesolo13 Specialty Grip: Theolonius Frumkin Grip Swing: Hunter Zimny Charles Jarry @gusselsprout @theo_.matza Hair and Makeup: @sweetbbjane Locations: @jojorabbi Production Assistants: Grace Hague @amysgeiger Intimacy Coordinator: @anniening VFX Supervisor: Vadim Konov VFX: Cinnamon VFX CCO: Connor McNamara Distribution: @gargantua_distribution Processing: Kodak Film Labs: NYC Scans: @metpostny #ShotOnFilm #16mm

@nathypeluso & @tokischa.sol DE MARAVISHA | 500T 35mm Tap the bio, watch the music film. director. @oliviadecamps creative director. @tokischa.sol ep. @jenn.zar prod company. @jenzarfilms producer. @producebyjames movement dir. @ztato prod manager. @angelicagrace96 prod coordinator. @mzgower 1st AD: @onurcan1k 2nd AD: @gastlypr set PA. @aight_mikey, @bennbustamante truck PA. @cameron_nuessle driver PA. @reiyamamoto_, @v101110, @wheres.keebb dp. @gabrielconnelly 1st ac. @falcor6 2nd ac. @conversejosh52 steadi. @spanervision gaff. @sheehan.josh key grip. @yasha.eskandar grips. Cole Terra, Vinny Carleton, Jeff Cunningham dmx tech. @hannah.godfrey bbe. @halschulman_ electric. @emilywalow BBG. @jlbeezy prod design. @liliteplan art director. Lars Fisk leadman. Kirkstall Mcdoogal set dec. @danielteplan, Anthony Ramroop, Thomas Sciortino, Craig Oliver art assist. @borjaschettini tokischa makeup. @marcelogutierrez c/o Bryant Artists. Chloe Iturralde tokischa makeup assist. John Wilger tokischa’s hair stylist. Jay tokischa stylist. @b8tlyn artist photographer + bts. @richardcordones nathy peluso MUA. @barbaritajuri nathy peluso hairtylist. @serpiente.es nathy peluso stylist. @isagreece nathy peluso styling assist. @agusiannella casting agency. @DVCastings @maria.derenzin basketball player. Tyrell Gibbs, Sage Cooper, Sco, @zyare_gotjokes skateboarder. Quincy Silvera, Dazz Blake parkour. Santos Justin Perez, Eugene Choe editor. @hrishibardhan vfx. @samrycc, @drisv2 post prod studio. @xyzstudios colorist. @josephbicknell, @company_3 lab: Kodak Film Labs: NYC #ShotOnFilm #35mm

@zalando – Your Run, Your Pace | Ektachrome & 500T 16mm “We shot this on a mix of film stocks, mainly Ektachrome 100D for the day scenes and 500T for night. We also shot B&W on a Bolex, which gave us an option to shoot textural cutaway quickly whilst A cam was getting rigged to the rickshaw and tracking vehicle. It gave Ale and the editor Toby quick flutter cut moments for the edit. Ektachrome has such a distinct rich look that stands out. Sometimes it was a challenge when the sun came out because the stock blows out very quickly at the top end, but I think this intense look links well to the intensity of marathon running. Tim smith did a great job to balance out the different stocks and lean into the distinct ektachrome look.” DP Natasha Duursma Tap the bio to watch the full spot. Director: Ale Ruiz-Zorrilla @aleruizzorrilla DoP: Natasha Duursma @tasha_duursma Executive Producer: ronja.prinz starring @titheyschulz @zyp.dlk @simonnbgr @agichristine @kofibtng @sophiasbolte Edit: @tobikkkk Music & Sound Design: @rromance.eu Color: @timotheous via @rascalstudio_ Lab: @cinegrell Production by @studioelevenforty Producer: @piawho, @geraldinegramenz Production Coordinator: @ellamackat Production Assistant: @bruna.caba Production Assistant: @jasminamichel Set Manager: fuckhughman Runner: Lilly von Hildebrand 1. AD: @kahmrah 1. AC: @tim.adam.x 2. AC: Ruben Killat VTR/DIT: @martin.knispel Gaffer: @alexbrinkworth Best Boy: Yannick Bonica & @timvallender.photography Spark: @noel.metzler Key Grip / Steadicam Operator: Markus Kuballa Grip Assistant: Felix Witte Sound: @adamasnan Drone Company: @upup.berlin Drone Operator: @maximilian.raschke Drone Operator: @robertthuermann Drone Operator: @_ferenc.bodor_ Stylist: @theresagrs Styling Assistant: @kommaclara Styling Assistant: @shalot___ HMU: @thisis_paloma HMU Assistant: @eleonore_ising #ShotOnFilm #16mm

@nikerunning NEVER TAKING THIS OFF ft. Olympic Gold medal runner Cole Hocker | 3 Perf 500T 35mm “Many sports commercials tend to focus on emphasizing athletes objective athletic abilities within their respective sports. For this project, we wanted to distill Cole into an original character and leverage his Olympic gold medal victory in a unique way.” - Director, Brenden Clarke “We wanted to make this feel different from a lot of the Sports Ad’s that we see all too often. Pushing things narrative and building a world visually that feels real is always exciting. We pulled references from films that we love and all of them have a few similar characteristics, but mainly, they are all shot on film.” - DP, Thomas Marchese Director & EP: @brenden.jpeg DP: @thommarch Production Company: @315.presents Starring: @colehocker Writers: @brenden.jpeg, @mattwisner Producer: @mattwisner UPM: @zen_daddy_westcoast 1st AD: @thomas_costello1 2nd AD: Ioannes Palomaria 1st AC: @pancho_ortiz 2nd AC: @poorfredd CLT: @dicknurr Key Grip: @lanative_grip ACLT: Jay Carey SLT: Jack Shaw SLT: Gordon Hale SLT: Bailey Clark SLT: Jesse Crusing Best Boy: Stephen Chang Grip: Brandon Diaz 
Sound Op: sunxsounds Art Director/Production Designer: @carter_christman Set Dresser: @mankadams Set Dresser: @sometimesbrooks HMU: @alixyoungblood_beauty PA/BTS Camera Op: @colinnwong PA: @charlie.townes POST Edit house: @church_edit Editor: @dakota_giglio Church Edit Founder: @mahferraz EP: @_laurenn_noel_ Music, Sound Design, and Mix: @retail_space Additional music: Soundly Color House: @ethos_studio Colorist: @kaitlynbattistelli Color Producer: @sweetiepiekewpie Film: @kodak / @kodak_shootfilm Film processing and scans: @fotokem_la RENTALS Camera: @panavisionofficial c/o Paul Coble G&E: @lightforce.rentals, @jahgi.lighting Dolly: @chapman_leonard Wardrobe: @westerncostumecompany TALENT Cole Hocker @mikeheymann @raphaelladreyer @jqskim Wendy Olvera Rivera @aidantooker @zen_daddy_westcoast David Nafissian Jesse Harley Jeff Ascheris Peter Hujanen @geoff.vincent #ShotOnFilm #35mm

UNCAPTURED | 50D, 250D & 500T 16mm and 8mm Shot on the new KODAK Super 8 Camera and a Beaulieu R16 Tap the link in our bio to watch the full fashion film. Director, Writer, Editor - @lisamazze and @leon.tales Producer - Lyzard DP - @luciarinaldi.dp Styling - @thecubearchive Set Stylists - @mariushordijk and @sofia_malatesta PA - @jheart20 Film Processing: Spectra Film Scanning: @thom_kuo Starring: @cloes_ @hebocini @twiggymay @beatricemaggi_ Voice over: Elea Petit #ShotOnFilm #16mm #Super8

SATURDAY NIGHT | 200T 16mm 🎧 Tap the link in our bio to listen to our latest Kodakery episode with director Jason Reitman and DP Eric Steelberg, ASC or listen wherever you get your podcasts. Directed by @jasonreitman Written by @jasonreitman @gilkenan Produced by @jasonreitman @gilkenan @jblume123 Peter Rice Executive Produced by @ericaannemills @joannperritano Gabe LaBelle as Lorne Michaels @treaclychild as Rosie Shuster @corymichaelsmith as Chevy Chase @ellahunt as Gilda Radner Dylan O’Brian as Dan Akyroyd @emilyfairn as Laraine Newman @mattwoodgrams as John Belushi @lamorne as Garrett Morris @kimbpics as Jane Curtin Cooper Hoffman as Dick Ebersol Nicholas Braun as Andy Kaufman & Jim Henson DP: @ericsteelberg Gaffer @riff407 Light Board Scotty Barnes Key Grip Brandon Cundiff Dolly Grips @humberdarryl & @kevinrgentry Remote Head Tech @patredmo Camera Operators Matt Moriarty & @calefinot 1st ACs @thesebastianvega & Pat Sokely 2nd ACs @johnny_utah_hoff & @katsoul Loader @toreylenart Camera PA Alex Nguyen Still Photographer @hopper_stone Editors @nathan_orloff & @sreid2 Costume Designer @dannyglicker Composer: @jonbatiste Production Mixer: @morrowsound Key Hair by @janineraththompson Key Makeup by @triciasawyer Casting by John Papsidera #ShotOnFilm #16mm

MARIA | 500T 8mm + 250D & 500T 16mm + 500T, 50D, 250D & Double-X B&W 35mm “For character-driven stories like this, I prefer to shoot on film,” says Lachman. “There’s a life and depth to the film negative, through the exposure of the RGB layers and the random grain structure, that seems to breathe and feels very human. Also, for me, film is like oil paint in the way it renders color and mixes between the colors. Digital just does not have the same depth or texture from the flat, pixel-fixated plane of the sensor.” Ed Lachman Cinematographer Edward Lachman used three different film formats, 8mm, 16mm & 35mm to reference the times and the way Maria Callas would have looked between the 1930s and the 1970s. A portion of the Super 8 footage was shot using Kodak’s NEW Super 8 Camera. Learn more about the entire process in our latest filmmaker story – tap the link in our bio or head to kodak.com/go/filmmakerstories. Director: Pablo Larraín DP: Edward Lachman, ASC #ShotOnFilm #8mm #16mm #35mm

@raketenumschau’s ALLES HAT SEINE ZEIT | 250D & 500T 16mm “This film tells the story of melancholy farewells, last cigarettes and goodbye kisses. Of pain, love and, at the same time, the desire for new adventures. With the approach to create a timeless atmosphere we’ve decided to work on film, even though our budget was very limited. Since we only had 2,5 rolls of filmstock we had to work very consciously, being able to only do 2-3 takes per scene. I feel like this project really made us focus on the preproduction and preparations on set - even more than usual.” Director Niklas Reinfelder Tap the bio, watch the film. Director: Niklas Reinfelder @niklasreinfelder DP: Felix Finken @felix_finken Gaffer: Neo Kurz @neokurz Producer: Kai Sieber @imagomota @studiomoodio x @imagomota Cast: Marlene Gfrörer @marlene.gfr RAKETENUMSCHAU @raketenumschau Rémy Berthommé @remybthe Hannah Werner@_hannah_261 Jess Fercho @fraufrecho Yasmina Loukili @yasminaloukilii Anno Koehler @annokoehler Christiane Dollmann @christianedollmann 1st AD Finn Oliver Walter @finn_oliver_walter Set Dresser: Xaver Haack @xaverhaack Steadicam Operator: Christoph Werner @christoph.werner.steadi 1st AC: Roberto Graukuntz @rob.gra.kun, Leopold Seidl @poelden 2nd AC: Felix Wüller @fneslenix, Tim Sinnreich, Malte Gehrmann @malte_gehrmann Technical Director: Lucas Bilang @lucasas1701 Loader: Paul Strand @strandpaull BTS: Romy Gardumi @romy.amorim Electrician: Moritz Thiel_ @moritz_thiel_ Set Runner: Carlo Schwinde Editor: Felix Finken Colorist: Felix Finken, Neo Kurz Lab: studio l’equipe #ShotOnFilm #16mm

WHAT WE WISHED WE COULD BE | 500T & Double-X B&W 16mm “The decision to shoot on 16mm was motivated by a desire to give the film a tangible, tactile look, to create intimacy between the audience and our characters, and help the characters feel relatable. This was my first time shooting on film, and honestly, it was one of the most beautiful experiences I’ve ever had on set. Shooting on film provoked focus and precision from the entire cast and crew, which was amazing. But it also had its challenges. We had 23 pages to shoot and the usual budgetary constraints, so we had to be very careful with our shooting ratio and only gave ourselves two takes at most to get what we needed, or only one for some of the more extended scenes. We shot the film using the Arri 416 HS camera with Zeiss Distagon S16 lenses. The 416 hadn’t been upgraded so we were stuck with an SD video tap. It really meant that myself and Yannick (Hausler, DP) had to trust the process and each other. We frequently collaborate and already have a short hand, which just made the process very exciting. We decided to shoot on 500T Kodak film stock as we wanted to really push the 16mm look, emphasise the grain and keep the grittiness around the border to show the imperfections, as we thought it helped with the story and our characters. We took the decision to use the tungsten stock to help us achieve the evening scenes and added an 85B filter for the daylight scenes. We also didn’t have the biggest lighting budget so it helped us with general exposure over the 200T stock.” Director @dirlukeshelley Tap the bio to watch the trailer. Starring: @jamiemuscato @anoushkalucasmusic Director: @dirlukeshelley Writer: @jennalouhawkins Producer: @sophielst Co-Producer: @dogmotherfilms Exec Producers: @chris_overton_ @rebeccaharristurner @moustafawehbi Delphino Huang James Patterson Production Companies: @_slickfilms @dolphragon @maypole_production @candlelightfilms_uk Casting Director: @steveedavies DP: @yannickhausler Editor: @flauraatkinson Composer: @mikebarkerdotme Production Designer: @studio.bibi Costume Designer: @oppofficial Processed by: @cinelabuk BTS: @confusion_by_illusion